*1953 Europe Guzei-Taschner Susanne 3267 Artist ID: Exhibitions (selection) 2025 | Art Graz at Artfactory Graz 2025 | Dialogues with Nature (solo), Kunst.Lokal, Großenzersdorf 2025 | Save the World, Museum Szombathely (Hungary) with Artfactory Graz 2025 | Trash & Treasures, Galerie Kras, Vienna 2025 | Eigenwelten, Galerie Burn-In, Vienna 2024 | Christmas Exhibition, Galerie Burn-In, Vienna 2024 | “Totgeliebt” with BVÖ, Semmelweisklinik, Vienna 2024 | “Totgeliebt” with BVÖ, ega:frauen im zentrum, Vienna 2024 | Nature’s Refrain – Culture Days at Meidlinger Markt with quit nature (“Bird Dance” performance) , Vienna 2024 | “Through Their Eyes…” with quit nature, Viertelfestival Schloss Fischau 2024 | “Quit Nature!” with quit nature, Palm House of the Botanical Garden, Vienna 2024 | “Even More Art,” Artfactory Graz 2024 | “Land:scapes – Thought: Spaces” with BVÖ, Langenzersdorf Museum 2023 | The Red Thread (textile exhibition) with BVÖ, Kunstsalon Schönbrunn, Vienna 2023 | Colour & Texture (solo), Galerie im ersten Stock, Mödling 2023 | Masterpieces of Art & Save the World with Artfactory Graz, Art-Festival at Pan Museum, Emmerich am Rhein (DE) 2022 | Strings of Nature & Ritual Spaces (solo), Burn-In Galerie, Gerngross Vienna 2022 | Art Innsbruck participation, Burn-In Galerie 2022 | “Quit Nature!” with quit nature, Kunsthaus Laa 2022 | Textiles – Reflections of Humanity through Time with BVÖ, Schloss Primmersdorf (Lower Austria) 2022 | Driftwood Sculptures, Member Exhibition 1503, Künstlerhaus Vienna 2022 | Power of Words with BVÖ, Vienna Calligraphy Center 2022 | VIEWpoint TEXTILE with BVÖ, Gauermann Museum (Lower Austria) 2021 | Tension of the Moment with BVÖ, Kulturschloss Reichenau (Lower Austria) 2021 | Favourite Pieces (online), BVÖ Textile Art Group 2019 | Earth, BVÖ exhibition at Felsenmuseum Bernstein 2018 | Belle Arti Vienna in Verona (BVÖ), Italy 2018 | My Own Perspective (BVÖ), Schloss Schönbrunn, Vienna Brief Biography & Artistic Journey | Mag. Art. Susanne Guzei-Taschner Born 1953 in Vienna 1974–78 | University of Applied Arts Vienna, Graphic Arts (Prof. Oswald Oberhuber) 1978 | Diploma 1979 | Study grant, Academy of Fine Arts Kraków 1979 | Vienna Art Fund Promotion Prize & State Grant for Fine Arts from 1980 | Member, Vienna Künstlerhaus 1982–95 | ORF Vienna, Graphic Department from 1995 | Self-employed from 2002 | Founder & Director, Zentrum Mandala (Lower Austria) Member, Professional Association of Fine Artists Vienna & Lower Austria (BVÖ) Member, Artfactory Graz Lives and works in Lower Austria Website Brief Biography & Artistic Journey | Mag. Art. Susanne Guzei-Taschner Born 1953 in Vienna 1974–78 | University of Applied Arts Vienna, Graphic Arts (Prof. Oswald Oberhuber) 1978 | Diploma 1979 | Study grant, Academy of Fine Arts Kraków 1979 | Vienna Art Fund Promotion Prize & State Grant for Fine Arts from 1980 | Member, Vienna Künstlerhaus 1982–95 | ORF Vienna, Graphic Department from 1995 | Self-employed from 2002 | Founder & Director, Zentrum Mandala (Lower Austria) Member, Professional Association of Fine Artists Vienna & Lower Austria (BVÖ) Member, Artfactory Graz Lives and works in Lower Austria Website Woman in Art Verbundenheit 2771 Art ID 2021 | 80 x 120 cm Acrylic on Canvas, cords 5400 $ Susanne Guzei-Taschner Woman in Art Lichtblick 2772 Art ID 2023 | 90 x 130 cm Acrylic on canvas 5400 $ Susanne Guzei-Taschner Woman in Art Friedliche Welten 2773 Art ID 2023 | 110 x 140 cm Acrylic on canvas 6300 $ Susanne Guzei-Taschner Women in Art Bewegte Landschaft 2774 Art ID 2020 | 80 x 120 cm Acrylic on canvas, ink 5400 $ Susanne Guzei-Taschner Women in Art Was Bäume träumen 2775 Art ID 2024 | 160 x 150 cm Acrylic on canvas, other fabrics 6500 $ Susanne Guzei-Taschner Women in Art Mit Haut und Haaren 2777 Art ID 2025 | 125 x 100 cm Acrylic on canvas, other fabrics 5800 $ Susanne Guzei-Taschner Women in Art Earth string Ensemble 2778 Art ID 2022 | 175-205 x 240 cm Acrylic on canvas, other fabrics 14500 $ Susanne Guzei-Taschner Woman in Art Erde trinken, Feuer atmen 2770 Art ID 2020 | 90 x 120 cm Acrylic on Canvas, cords 5200 $ Susanne Guzei-Taschner Woman in Art Zu neuen Ufern 2415 Art ID 2021 | 115 x 150 cm Acrylic on canvas, cords 6200 $ Susanne Guzei-Taschner Woman in Art Kaskade 2416 Art ID 2016 | 135 x 180 cm Acrylic on Canvas, Cords 6400 $ Susanne Guzei-Taschner Woman in Art Aufbruch ins Blaue 2417 Art ID 2016 | 135 x 95 cm Acrylic on Canvas, cords 6000 $ Susanne Guzei-Taschner Woman in Art Sprache der Natur 2418 Art ID 2017 | 105 x 105 cm Acrylic on Canvas, Cords 4500 $ Susanne Guzei-Taschner Woman in Art Blattspiel 2414 Art ID 2021 | 135 x 115 cm Acrylic on Canvas, Wax 6200 $ Susanne Guzei-Taschner Women in Art Poem 2413 Art ID 2022 | 110 x 100 cm Acrylic on canvas, cords 5300 $ Susanne Guzei-Taschner Women in Art Kretische Landschaft 2374 Art ID 2021 | 80 x 80 cm Acrylic with objects on canvas SOLD $ Susanne Guzei-Taschner Women in Art Secret places 1 2373 Art ID 2025 | 60 x 60 cm Acrylic on canvas, mixed media, cords SOLD $ Susanne Guzei-Taschner Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. About the Works of Susanne Guzei-Taschner Susanne Guzei-Taschner’s practice centers on three-dimensional “object paintings” and freely suspended sculptural assemblages in which cords, stitched fabric fragments, and found materials—natural fibers, bark, driftwood, stones, even discarded packaging—play an integral role. These elements intertwine in playful yet deliberate material collages that invite a tactile, almost tangible experience. Strategic accents of acrylic paint both unify and highlight the disparate components, forging a cohesive visual dialogue across surface and space. At the heart of her work is the notion of connection: forging networks between disparate materials, between art and environment, and between viewer and natural world. The act of sewing becomes a ritual of healing—mending wounds and binding together separate parts to evoke nature’s generative forces. The stitched elements lend remarkable relief and sculptural presence, opening a uniquely feminine realm of lived experience. Through her pieces, Guzei-Taschner draws attention to ecological fragility while offering a ceremonial space for renewed, creative engagement with the natural world. Exhibitions (selection) 2025 | Art Graz at Artfactory Graz 2025 | Dialogues with Nature (solo), Kunst.Lokal, Großenzersdorf 2025 | Save the World, Museum Szombathely (Hungary) with Artfactory Graz 2025 | Trash & Treasures, Galerie Kras, Vienna 2025 | Eigenwelten, Galerie Burn-In, Vienna 2024 | Christmas Exhibition, Galerie Burn-In, Vienna 2024 | “Totgeliebt” with BVÖ, Semmelweisklinik, Vienna 2024 | “Totgeliebt” with BVÖ, ega:frauen im zentrum, Vienna 2024 | Nature’s Refrain – Culture Days at Meidlinger Markt with quit nature (“Bird Dance” performance) , Vienna 2024 | “Through Their Eyes…” with quit nature, Viertelfestival Schloss Fischau 2024 | “Quit Nature!” with quit nature, Palm House of the Botanical Garden, Vienna 2024 | “Even More Art,” Artfactory Graz 2024 | “Land:scapes – Thought: Spaces” with BVÖ, Langenzersdorf Museum 2023 | The Red Thread (textile exhibition) with BVÖ, Kunstsalon Schönbrunn, Vienna 2023 | Colour & Texture (solo), Galerie im ersten Stock, Mödling 2023 | Masterpieces of Art & Save the World with Artfactory Graz, Art-Festival at Pan Museum, Emmerich am Rhein (DE) 2022 | Strings of Nature & Ritual Spaces (solo), Burn-In Galerie, Gerngross Vienna 2022 | Art Innsbruck participation, Burn-In Galerie 2022 | “Quit Nature!” with quit nature, Kunsthaus Laa 2022 | Textiles – Reflections of Humanity through Time with BVÖ, Schloss Primmersdorf (Lower Austria) 2022 | Driftwood Sculptures, Member Exhibition 1503, Künstlerhaus Vienna 2022 | Power of Words with BVÖ, Vienna Calligraphy Center 2022 | VIEWpoint TEXTILE with BVÖ, Gauermann Museum (Lower Austria) 2021 | Tension of the Moment with BVÖ, Kulturschloss Reichenau (Lower Austria) 2021 | Favourite Pieces (online), BVÖ Textile Art Group 2019 | Earth, BVÖ exhibition at Felsenmuseum Bernstein 2018 | Belle Arti Vienna in Verona (BVÖ), Italy 2018 | My Own Perspective (BVÖ), Schloss Schönbrunn, Vienna

Propose a work associated with this style Propose a work associated with this style 1919-1933 Bauhaus - The State Bauhaus DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition The State Bauhaus, now usually just Bauhaus, was an art school founded by Walter Gropius in Weimar in 1919. In terms of type and conception, it was something completely new at the time, as the Bauhaus represented an amalgamation of art and craft. Today, the historic Bauhaus represents the most influential educational institution in the field of architecture, art and design in the 20th century. The Bauhaus existed in parallel with and during the Weimar Republic from 1919 to 1933, and is today regarded worldwide as the home of the avant-garde of Classical Modernism in all fields of liberal and applied arts and architecture. The resonance of the Bauhaus continues to this day and significantly shapes the image of modernist movements. The Bauhaus came into being in Weimar through the merger of the Grand Ducal Saxon School of Art Weimar with the Grand Ducal Saxon School of Applied Arts Weimar, founded by Henry van de Velde in 1907. It became the direct precursor of the Bauhaus, which then began its work in van de Velde's school buildings. In 1925, it moved to Dessau - from 1926 in the Bauhaus Dessau building. In 1932, the Bauhaus had to move to Berlin; it was closed in 1933. The influence of the Bauhaus was so significant that colloquially the term Bauhaus is often equated with modernism in architecture and design. In this context, lay people often speak of the Bauhaus style, but it is problematic, both from the point of view of architectural science and art history, to view the developments at the Bauhaus in isolation and to use Bauhaus as a stylistic term (for example, as an architectural style or furniture style). The designs and works of the teachers and students at the Bauhaus are rather seen as part of longer-term and also transnational currents and are classified under terms such as Functionalism, Classic Modernism, New Objectivity, International Style or New Building. At the Bauhaus, the traditionally separate fields of fine arts, applied arts and performing arts were combined on the basis of the school's own concept, which in turn had a strong impact on painting, performing arts and music. Discover Limited Edition Explore This Era DE EN 1919-1933 Bauhaus - The State Bauhaus Propose a work associated with this style Propose a work associated with this style

*1848-1903 Europe Gauguin Paul 59 Artist ID: Gauguin was not appreciated until after his death and is known for his experimental use of colour and synthetic style, which differed from Impressionism. Towards the end of his life he spent ten years in French Polynesia. The paintings from this period show people or landscapes from this region. His work had an influence on the French avant-garde and many modern artists such as Pablo Picasso and Henri Matisse. He is known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partly due to the efforts of dealer Ambroise Vollard, who held exhibitions of his work late in his career and organized two important posthumous exhibitions in Paris. Eugène Henri Paul Gauguin (* 7 June 1848 in Paris; † 8 May 1903 in Atuona on Hiva Oa, French Polynesia) was an influential French painter. Gauguin's Post-Impressionist work strongly influenced the Nabis and Symbolism; he was a co-founder of Synthetism and became a pioneer of Expressionism. He thus played an important role in the development of European painting. Eugène Henri Paul Gauguin (* 7 June 1848 in Paris; † 8 May 1903 in Atuona on Hiva Oa, French Polynesia) was an influential French painter. Gauguin's Post-Impressionist work strongly influenced the Nabis and Symbolism; he was a co-founder of Synthetism and became a pioneer of Expressionism. He thus played an important role in the development of European painting. World of Art Tahitian Women 139 Art ID 1891 | 69,0 x 91,0 cm Oil on canvas 80000000 $ Paul Gauguin World of Art Why Are You Angry ? 140 Art ID 1896 | 95,3 x 130,5 cm Oil on canvas 100000000 $ Paul Gauguin World of Art Arearea – Joyousness – The Red Dog 141 Art ID 1892 | 75,0 x 94,0 cm Oil on canvas 80000000 $ Paul Gauguin World of Art When Will You Marry ? 142 Art ID 1892 | 101,5 x 77,5 cm Oil on canvas 229000000 $ Paul Gauguin Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramicist, and writer. His expression of the inherent meaning of subjects in his paintings under the influence of the Cloisonnist style paved the way for Primitivism and a return to pastoralism. He was also an influential proponent of wood engravings and woodcuts as an art form. Paul Gauguin returned to Tahiti in the fall of 1895 and was soon plagued by physical ailments and financial difficulties. Nevertheless, in 1896-1897 he painted a group of impressive canvases in a larger format than his usual works. He painted Why are you evil? No te aha oe riri? Why Are You Angry? on an earlier Tahitian composition, but changed the mood of the painting. Here the main figures are larger and detached from each other, their postures and characters more difficult to interpret. The questioning title encourages the viewer to search for some kind of narrative, but the paintings resist a definitive reading. Gauguin was not appreciated until after his death and is known for his experimental use of colour and synthetic style, which differed from Impressionism. Towards the end of his life he spent ten years in French Polynesia. The paintings from this period show people or landscapes from this region. His work had an influence on the French avant-garde and many modern artists such as Pablo Picasso and Henri Matisse. He is known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partly due to the efforts of dealer Ambroise Vollard, who held exhibitions of his work late in his career and organized two important posthumous exhibitions in Paris.

*1982 Europe Blümel Bernadette 985 Artist ID: Exhibitions and Shows 2013 | Participation: Charity Exhibition, Hofburg Innsbruck (Lions Club); Solo Exhibition, Kitzbühel at Dermatologist Dr. Mechthild Otthenthal 2014 | Exhibition in Verona at Circolo Ufficiali Castelvecchio 2015 | Exhibitions in Czech Republic at Galerie Kavárna Jakub, Velešín (with KGK); Carrousel du Louvre / Paris (Art Shopping); Berliner Liste / Contemporary Fine Arts; Solo Exhibition, Women's and Head Clinic Foyer, Innsbruck 2016 | Exhibition "Woman's Essence" at Hernandez Art Gallery, Milan; Artexpo New York, represented by Galerie Mecenavie; Exhibition at Museo Nazionale Villa Pisani, Venice with the Americas Museum; Exhibition at Galerie Thuillier, Paris 2017 | Exhibition "Small is Beautiful" at Alliance Française, Dubai / Museum of the Americas; Capri Island of Art Exhibition, Capri with Galerie Monteoliveto; Exhibition at Art3f Art Fair in Mulhouse / Galleria Monteoliveto 2018 | Art Expo Las Vegas, represented by Galerie Mecenavie; Art3f Art Expo in Lausanne (Switzerland), represented by Galleria Monteoliveto; Art3f Brussels, represented by Galerie Mecenavie 2019 | Art Shopping Deauville (F), represented by Galerie Mecenavie; Art3f Gent, represented by Galleria Monteoliveto; Exhibition at the Botanical Garden - University of Innsbruck 2020 | Exhibition at Yellow Cube Gallery, Paris – represented by Monteoliveto Gallery 2021 | Exhibition "Never Give Up!" with Gallery Monteoliveto in Paris 2023 | Exhibition with Monteoliveto Gallery "Art Crossing" in Milan (IT) Sapzio Tadini Home Museum; Exhibition at CityGalleryVienna, Vienna; Exhibition with Monteoliveto Gallery "Transizioni" at Historical Museum City of Lecce (IT) 2024 | Solo Exhibition "A Heart for Children," AK-Bildungshaus Seehof, Innsbruck Curriculum Vitae | Bernadette Blümel Born on November 24, 1982, in Rum, Austria Education 1997 – 2002: HTL for Graphics and Design Instagram Facebook Website Curriculum Vitae | Bernadette Blümel Born on November 24, 1982, in Rum, Austria Education 1997 – 2002: HTL for Graphics and Design Instagram Facebook Website Women in Art Wir brauchen einander 2381 Art ID 2024 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Love is stronger than hate 2336 Art ID 2017 | 25 x 25 cm Rapidograph pen on paper SOLD $ Bernadette Blümel Women in Art Hör auf dein Herz 2382 Art ID 2024 | 20 x 30 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Das Leben in Licht und Schatten 2337 Art ID 2014 | 25 x 25 cm Rapidograph pen on paper SOLD $ Bernadette Blümel Women in Art Isoliert von den Anderen 1765 Art ID 2021 | 25 x 25 cm Rapidograph pen on paper 1550 $ Bernadette Blümel Women in Art Im Rampenlicht stehen 1764 Art ID 2017 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Im Leben aneinander gefesselt 1766 Art ID 2019 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Jeder hat ein Herz 1767 Art ID 2019 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Call of Love 1768 Art ID 2016 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Quarantäne 1769 Art ID 2020 | 35 x 25 cm Rapidograph pen on paper 1550 $ Bernadette Blümel Women in Art In jedem steckt Liebe 1770 Art ID 2019 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Leben wächst heran 1771 Art ID 2018 | 25 x 25 cm Rapidograph pen on paper 850 $ Bernadette Blümel Women in Art Liebe kann Schmerzen 1772 Art ID 2016 | 25 x 25 cm Rapidograph pen on paper 1350 $ Bernadette Blümel Women in Art Feuersalamander 1773 Art ID 2023 | 20 x 25 cm Rapidograph pen on paper 1150 $ Bernadette Blümel Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Artist Statement I am a diligent artist who continuously seeks new challenges in drawing. My formal education includes a completed degree in Graphic and Design (HTL). I began studying art history, but unfortunately, due to the pandemic, it was not feasible to continue. My favorite medium is ink on paper, and my subjects often revolve around nature and humanity. The human heart is my preferred motif; it evokes a range of deep thoughts and emotions in the viewer. Balancing the aesthetics while eliciting depth in my artwork is often a delicate act. My inspirations are my own emotions, which I strive to capture on paper, providing me with new strength and inner peace. My work is aimed at all art enthusiasts who wish to delve into my emotional world. Influences | Paul Flora and Frida Kahlo Life Motto | "Strive to achieve your goals!" Objectives | My goal is to spread my art worldwide and to become well-known as an artist beyond national borders. Exhibitions and Shows 2013 | Participation: Charity Exhibition, Hofburg Innsbruck (Lions Club); Solo Exhibition, Kitzbühel at Dermatologist Dr. Mechthild Otthenthal 2014 | Exhibition in Verona at Circolo Ufficiali Castelvecchio 2015 | Exhibitions in Czech Republic at Galerie Kavárna Jakub, Velešín (with KGK); Carrousel du Louvre / Paris (Art Shopping); Berliner Liste / Contemporary Fine Arts; Solo Exhibition, Women's and Head Clinic Foyer, Innsbruck 2016 | Exhibition "Woman's Essence" at Hernandez Art Gallery, Milan; Artexpo New York, represented by Galerie Mecenavie; Exhibition at Museo Nazionale Villa Pisani, Venice with the Americas Museum; Exhibition at Galerie Thuillier, Paris 2017 | Exhibition "Small is Beautiful" at Alliance Française, Dubai / Museum of the Americas; Capri Island of Art Exhibition, Capri with Galerie Monteoliveto; Exhibition at Art3f Art Fair in Mulhouse / Galleria Monteoliveto 2018 | Art Expo Las Vegas, represented by Galerie Mecenavie; Art3f Art Expo in Lausanne (Switzerland), represented by Galleria Monteoliveto; Art3f Brussels, represented by Galerie Mecenavie 2019 | Art Shopping Deauville (F), represented by Galerie Mecenavie; Art3f Gent, represented by Galleria Monteoliveto; Exhibition at the Botanical Garden - University of Innsbruck 2020 | Exhibition at Yellow Cube Gallery, Paris – represented by Monteoliveto Gallery 2021 | Exhibition "Never Give Up!" with Gallery Monteoliveto in Paris 2023 | Exhibition with Monteoliveto Gallery "Art Crossing" in Milan (IT) Sapzio Tadini Home Museum; Exhibition at CityGalleryVienna, Vienna; Exhibition with Monteoliveto Gallery "Transizioni" at Historical Museum City of Lecce (IT) 2024 | Solo Exhibition "A Heart for Children," AK-Bildungshaus Seehof, Innsbruck

Propose a work associated with this style Propose a work associated with this style 1909-1914 Futurism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century and also developed in Russia. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures were the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. It glorified modernity and aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's Manifesto of Futurism, Boccioni's sculpture Unique Forms of Continuity in Space, Balla's painting Abstract Speed + Sound, and Russolo's The Art of Noises. Although it was largely an Italian phenomenon, there were parallel movements in Russia, where some Russian Futurists would later go on to found groups of their own; other countries either had a few Futurists or had movements inspired by Futurism. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even cooking. To some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, and Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Discover Limited Edition Explore This Era DE EN 1909-1914 Futurism Propose a work associated with this style Propose a work associated with this style

Europe Avni Sarah I. 492 Artist ID: Exhibitions | Selected 2024 | Hotel Mozart Prague 2022 | Kempinski Hotel Bahiá Estepona Marbella | Spain 2022 | Institute of Archaeology and Museum in Sofia | Bulgaria 2022 | Sorbishe Museum in Bautzen | Germany 2022 | Sala de Exposiciones Bank Cajasur | Algeciras | Spain 2021 | Izmit Art Gallery | Turkey 2021 | Istanbul Airport International Departures iGA Lounge 2021 | Kunstverein MONTEZ in Frankfurt am Main 2021 | Zoya Gallery & Museum | Slovakia 2020 | Asean Belt and Road Culture and Tourism Exchange in Guiyang | China 2020 | Shanghai | China 2020 | Chateau Poříčí | Czech Republic 2020 | National Czech & Slovak Museum & Library Cedar Rapid in Iowa | USA 2019 | Šarišská Gallery | Slovakia 2019 | Ella Design in Vevey | Switzerland 2019 | Clarissine Church | Bratislava 2019 | Slovak Institut | Moscow 2019 | Gallery Vazka | Slovakia 2019 | MaxMara | Bratislava 2018 | Slovak Institut | Berlin 2018 | Tatra Museum Poprad | Slovakia 2018 | Rivington Street Gallery | NY 2018 | Slovak Embassy in Washington DC and in International Club DC 2018 | Ottawa City Hall 2018 | Kulturpark in Košice | Slovakia 2018 | Festival Re:publika | Czech Republic 2018 | Olympic Games | South Korea 2017 | Slovak Institute | Vienna 2017 | The House of Arts in Piešťany | Slovakia 2017 | Embassy of the Slovak Republic | Ottawa 2017 | Crowne Plaza, Manhattan in New York at Slovak Fashion Night 2017 | Bratislava Castle | Slovakia 2017 | Chateau Mcely | Czech Republic 2016 | Exhibition at the Slovak Presidency of the EU Council | Brussels 2016 | Chateau Rothschild | Austria 2015 | Basel Art Center (Gift 4 You) in Switzerland (collective) 2015 | Esterhazy Palace (Gallery Merikon Art Room) | Vienna 2012 | The Presidential Palace in Bratislava 2012 | BMW | Bratislava 2011 | Gallery Harfa | Prague 2011 | SPP Gallery | Bratislava Brief Biography | Artistic Journey About artist Sarah I. Avni Sarah Avni has held more than 90 solo exhibitions across three continents, and her paintings are included in art collections worldwide. Recognized as a worthwhile investment, her artwork continuously garners international acclaim. Since 2015, she has been consistently ranked by the international cultural portal theculturetrip.com as one of the top 10 Slovak artists you should know. She is the creator of the world’s best sport-themed stamp of 2011, an accolade awarded by StampNews International. In 2019, she unveiled a special collection titled "Rock" inspired by the music of the renowned Slovak band, INSIDE. This collaboration aims to enhance the artistic experience by integrating visual art with music. The paintings from this collection have been featured at various INSIDE concerts and on the album cover for their release, "Čas" (EN: Time). Since 2018, her project featuring works from the "Party in the 21st Century" collection has been a part of the official Slovak brand GOOD IDEA SLOVAKIA. CIRCLE, an international art magazine, featured one of her paintings from the "Party in the 21st Century" collection in their Spring 2018 issue. This collection is celebrated for reflecting current trends and innovative practices in the global visual arts scene. In 2017, the "Party in the 21st Century" collection was honored with a Certificate of Excellence by Artavita, a prominent online gallery. A music video titled “Odraz duše,” released in 2016 by Inside and Peter Cmorík, drew inspiration from Sarah’s life. Since 2016, she has spearheaded the highly successful folklore-artistic project, "Party in the 21st Century." The artworks in this collection, inspired by Slovak crafts, were developed in collaboration with LSZ photography. Brief Biography | Artistic Journey About artist Sarah I. Avni Sarah Avni has held more than 90 solo exhibitions across three continents, and her paintings are included in art collections worldwide. Recognized as a worthwhile investment, her artwork continuously garners international acclaim. Since 2015, she has been consistently ranked by the international cultural portal theculturetrip.com as one of the top 10 Slovak artists you should know. She is the creator of the world’s best sport-themed stamp of 2011, an accolade awarded by StampNews International. In 2019, she unveiled a special collection titled "Rock" inspired by the music of the renowned Slovak band, INSIDE. This collaboration aims to enhance the artistic experience by integrating visual art with music. The paintings from this collection have been featured at various INSIDE concerts and on the album cover for their release, "Čas" (EN: Time). Since 2018, her project featuring works from the "Party in the 21st Century" collection has been a part of the official Slovak brand GOOD IDEA SLOVAKIA. CIRCLE, an international art magazine, featured one of her paintings from the "Party in the 21st Century" collection in their Spring 2018 issue. This collection is celebrated for reflecting current trends and innovative practices in the global visual arts scene. In 2017, the "Party in the 21st Century" collection was honored with a Certificate of Excellence by Artavita, a prominent online gallery. A music video titled “Odraz duše,” released in 2016 by Inside and Peter Cmorík, drew inspiration from Sarah’s life. Since 2016, she has spearheaded the highly successful folklore-artistic project, "Party in the 21st Century." The artworks in this collection, inspired by Slovak crafts, were developed in collaboration with LSZ photography. Women in Art Dubai I. 1055 Art ID 2022 | 100 x 150 cm acrylic and sand on canvas 6690 $ Sarah I. Avni Women in Art Genesis 46. (T 3/25) 1062 Art ID 2024 | 80 x 100 cm acrylic on canvas 4800 $ Sarah I. Avni Women in Art Flavour of Nature's Zephyr I. 1061 Art ID 2023 | 60 x 90 cm acrylic on canvas 4000 $ Sarah I. Avni Women in Art Endless Possibilities X. 1060 Art ID 2023 | 80 x 100 cm mixed media on canvas 5790 $ Sarah I. Avni Women in Art Endless Possibilities IX. 1059 Art ID 2023 | 80 x 100 cm mixed media on canvas 5790 $ Sarah I. Avni Women in Art A Moment in All Dimensions XXXIX. 1058 Art ID 2022 | 150 x 200 cm mixed media on canvas 7490 $ Sarah I. Avni Women in Art A Moment in All Dimensions XXXVI. 1057 Art ID 2022 | 75 x 265 cm mixed media on canvas 7290 $ Sarah I. Avni Women in Art Flower of Life XII. 1056 Art ID 2022 | 100 x 120 cm mixed media on canvas 5890 $ Sarah I. Avni Women in Art Nuntius Atlantis III. 1054 Art ID 2021 | 100 x 100 cm mixed media on canvas 5350 $ Sarah I. Avni Women in Art Flower of Life IX. 1053 Art ID 2021 | 100 x 150 cm mixed media on canvas 6690 $ Sarah I. Avni Women in Art Flower of Life VI. 1052 Art ID 2021 | 80 x 150 cm mixed media on canvas 6150 $ Sarah I. Avni Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Artist Statement My artworks are designed to enchant with their vivid colors, hidden symbols, and emit vibrations of positive energy. I find inspiration in Eastern philosophy and its holistic approach, distinguishing my work from traditional Western painting. Originally trained as a classical painter, I now focus on exploring metaphysical laws and the creation of reality. My purpose is to direct the viewer’s soul toward these profound principles. My paintings are developed in collections that might seem disparate at first glance but ultimately connect as elements of a puzzle. They are immediately recognizable due to their distinctive energy and my use of original techniques. These include a specific structure that creates the impasto effect and the employment of old master techniques such as gilding and mixing pigments, enhancing my ability to manipulate light and shadows. This unique approach not only defines my artistic identity but also deepens the viewer's engagement with my work. Website Exhibitions | Selected 2024 | Hotel Mozart Prague 2022 | Kempinski Hotel Bahiá Estepona Marbella | Spain 2022 | Institute of Archaeology and Museum in Sofia | Bulgaria 2022 | Sorbishe Museum in Bautzen | Germany 2022 | Sala de Exposiciones Bank Cajasur | Algeciras | Spain 2021 | Izmit Art Gallery | Turkey 2021 | Istanbul Airport International Departures iGA Lounge 2021 | Kunstverein MONTEZ in Frankfurt am Main 2021 | Zoya Gallery & Museum | Slovakia 2020 | Asean Belt and Road Culture and Tourism Exchange in Guiyang | China 2020 | Shanghai | China 2020 | Chateau Poříčí | Czech Republic 2020 | National Czech & Slovak Museum & Library Cedar Rapid in Iowa | USA 2019 | Šarišská Gallery | Slovakia 2019 | Ella Design in Vevey | Switzerland 2019 | Clarissine Church | Bratislava 2019 | Slovak Institut | Moscow 2019 | Gallery Vazka | Slovakia 2019 | MaxMara | Bratislava 2018 | Slovak Institut | Berlin 2018 | Tatra Museum Poprad | Slovakia 2018 | Rivington Street Gallery | NY 2018 | Slovak Embassy in Washington DC and in International Club DC 2018 | Ottawa City Hall 2018 | Kulturpark in Košice | Slovakia 2018 | Festival Re:publika | Czech Republic 2018 | Olympic Games | South Korea 2017 | Slovak Institute | Vienna 2017 | The House of Arts in Piešťany | Slovakia 2017 | Embassy of the Slovak Republic | Ottawa 2017 | Crowne Plaza, Manhattan in New York at Slovak Fashion Night 2017 | Bratislava Castle | Slovakia 2017 | Chateau Mcely | Czech Republic 2016 | Exhibition at the Slovak Presidency of the EU Council | Brussels 2016 | Chateau Rothschild | Austria 2015 | Basel Art Center (Gift 4 You) in Switzerland (collective) 2015 | Esterhazy Palace (Gallery Merikon Art Room) | Vienna 2012 | The Presidential Palace in Bratislava 2012 | BMW | Bratislava 2011 | Gallery Harfa | Prague 2011 | SPP Gallery | Bratislava

Propose a work associated with this style Propose a work associated with this style 1955-today Environment DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition The Environment is a term borrowed from American English in the late 1950s for artistic works that deal with the relationship between object and environment. The environment can become part of the artwork. The intellectual foundations for overcoming the separation between art and life, which artists repeatedly strived for in the 20th century, were already laid in Dadaism and Surrealism. In his Dadaist Manifesto, Richard Huelsenbeck formulated in 1918: "Life appears as a simultaneous jumble of sounds, colours and mental rhythms, which [...] is taken over in its entire brutal reality." In parallel, Marcel Duchamp exhibited a urinal as a work of art in New York in 1917, the Fountain. An industrially manufactured object, the ready-made, was declared a work of art, see also object art. The term environment appeared in the USA at the end of the 1950s in the context of the artists of Pop Art and Happenings. George Segal called his white plaster figures in a suggested environment "environmental sculptures". Claes Oldenburg became known for his oversized replicas of edibles from "the store". Edward Kienholz and Duane Hanson provoke through the hyperrealism of their figures, whereby Kienholz creates isolated walk-in scenes as environments, while Hanson places human figures (e.g. Woman with Shopping Trolley, 1970), isolated from the original environment, abruptly in the spatial situation of a museum or gallery. Discover Limited Edition Explore This Era DE EN 1955-today Environment Propose a work associated with this style Propose a work associated with this style

*1972 Europe Landwehr Gerti 4815 Artist ID: Solo & Group Exhibitions 2025 | INC Art Fair Bodensee / Messe Dornbirn Österreich 2025 | Discovery Art Fair Frankfurt / Messe Frankfurt 2025 | ARTMUC München /MTC-München 2025 | Discovery Art Fair Köln / X- Post Köln 2024 | INC Art Fair Bodensee / Messe Dornbirn Österreich 2024 | Discovery Art Fair Frankfurt / Messe Frankfurt 2024 | Einzelausstellung „FACE TO FACE“ / Narander art Experience / Rheinauhafen Köln 2024 | ARTMUC Munich / MTC - Munich / Spring and Autumn 2024 | Discovery Art Fair Cologne / XPOST, Gladbacher Wall 5, 50670 Cologne 2024 | INCorporating Art Fair Bodensee / Messe Dornbirn - Austria 2023 | ARTMUC Munich / MTC - Munich 2023 | Discovery Art Fair Cologne / XPOST, Gladbacher Wall 5, 50670 Cologne 2023 | Grace and Charm in Contemporary Art / City Gallery - Bathhouse in the Old Spa Park - Bad Soden/TS 2022 | FY I AM FAMOUS / Hamburg Hafencity - Hamburg 2022 | Little treasures 2022 / Galerie di Marchi - Bologna - Italy 2022 | ARTMUC Munich / MTC - Munich 2022 | Arte Wiesbaden / RheinMain CongressCenter - Wiesbaden 2022 | ARTe Konstanz / Lake Constance Forum - Konstanz 2022 | INCorporating art fair / Hafencity - Hamburg 2021 | ARTMUC / Praterinsel - Munich 2021 | ARTgerecht / Old Slaughterhouse - Karlsruhe 2021 | Bielefeld Night Views / Gallery Best - Bielefeld 2021 | INCorporating art fair - Hamburg 2021 | International Contemporary Art Fair, Chapiteau de Fontvieille, Monaco 2020 | ARTMUC / Praterinsel - Munich Press | Television 2023 | FAZ; within the context of the exhibition "Grace and Charm in Contemporary Art" at the City Gallery Bad Soden 2022 | NDR - Hamburg Journal; "Tribute to Romy Schneider Part 1" at FY I AM FAMOUS Gallery, Hafencity Hamburg 2022 | NDR Hamburg Journal; "Tribute to Romy Schneider Part 2" at FY I AM FAMOUS Gallery, Hafencity Hamburg 2022 | BILD Newspaper; Lien Kaspari- Romy Schneider & Alain Delon - World Star Love in the Hafencity Brief Biography & Artistic Journey Gerti Landwehr’s portraits, making the unsayable visible. Between briefings and screens, Gerti Landwehr began her career as a graphic designer - precise, ambitious, and guided by a clear personal vision. At first, her ideas collided with the resistance of a stubborn superior; yet her designs convinced clients and colleagues so convincingly that perceptions of her talent began to shift. Words were never her territory; images were. At night, she visualized what could not be put into words - and let her work speak for itself. From this experience emerged a distinct artistic stance: portraits as spaces of resonance for the unsayable. Gerti concentrates everything on the gaze - eyes that seek closeness rather than pose, that make silent signals visible and enable genuine encounter. When a work becomes too smooth, she deliberately paints over it - out of clarity, not doubt. This is how faces come into being that do not merely depict, but respond. “I paint gazes that speak back.” Why does this matter? Because a society becomes impoverished when we no longer truly look at one another. Amid speed, sensory overload, and rapid judgment, her painting recalls what it means to be human: to perceive, to respond, to allow oneself to be touched. Thus, graphic routine transforms into an independent artistic voice - and images become a conversation that leads us back to authentic connection. Today, Gerti Landwehr lives and works as an independent artist in Austria. For several years, her works have been successfully presented in galleries, in solo exhibitions, and at art fairs in Austria and abroad - now also for the first time in an auction house. Sales and demand continue to develop positively; collectors in particular value the consistency of her portrait-based position. The response confirms that the imaginary possesses a real power - one that touches people and transforms encounters, beyond the sensory overload of everyday life. Instagram Website Brief Biography & Artistic Journey Gerti Landwehr’s portraits, making the unsayable visible. Between briefings and screens, Gerti Landwehr began her career as a graphic designer - precise, ambitious, and guided by a clear personal vision. At first, her ideas collided with the resistance of a stubborn superior; yet her designs convinced clients and colleagues so convincingly that perceptions of her talent began to shift. Words were never her territory; images were. At night, she visualized what could not be put into words - and let her work speak for itself. From this experience emerged a distinct artistic stance: portraits as spaces of resonance for the unsayable. Gerti concentrates everything on the gaze - eyes that seek closeness rather than pose, that make silent signals visible and enable genuine encounter. When a work becomes too smooth, she deliberately paints over it - out of clarity, not doubt. This is how faces come into being that do not merely depict, but respond. “I paint gazes that speak back.” Why does this matter? Because a society becomes impoverished when we no longer truly look at one another. Amid speed, sensory overload, and rapid judgment, her painting recalls what it means to be human: to perceive, to respond, to allow oneself to be touched. Thus, graphic routine transforms into an independent artistic voice - and images become a conversation that leads us back to authentic connection. Today, Gerti Landwehr lives and works as an independent artist in Austria. For several years, her works have been successfully presented in galleries, in solo exhibitions, and at art fairs in Austria and abroad - now also for the first time in an auction house. Sales and demand continue to develop positively; collectors in particular value the consistency of her portrait-based position. The response confirms that the imaginary possesses a real power - one that touches people and transforms encounters, beyond the sensory overload of everyday life. Instagram Website Women in Art IS IT TRUE? 3010 Art ID 2025 | 60 x 60 cm Acrylic on canvas 2500 $ Gerti Landwehr Women in Art RAIN ON ME 3011 Art ID 2025 | 100 x 100 cm Acrylic on canvas 4100 $ Gerti Landwehr Women in Art KISS ME 3012 Art ID 2024 | 160 x 140 cm Acrylic on canvas 6100 $ Gerti Landwehr Women in Art A KIND OF MAGIC 3013 Art ID 2024 | 160 x 100 cm Acrylic on canvas 5300 $ Gerti Landwehr Women in Art BELIEVE IN YOU 3014 Art ID 2022 | 120 x 100 cm Acrylic on canvas 4500 $ Gerti Landwehr Women in Art THINKING OF YOU 3015 Art ID 2021 | 160 x 130 cm Acrylic on canvas 5800 $ Gerti Landwehr Women in Art COME ON 3016 Art ID 2021 | 115 x 100 cm Acrylic on canvas 4400 $ Gerti Landwehr Women in Art WISHFUL THINKING 3017 Art ID 2022 | 100 x 100 cm Acrylic on canvas 4100 $ Gerti Landwehr Women in Art WHAT ABOUT YOU? 3018 Art ID 2023 | 130 x 90 cm Acrylic on canvas 4500 $ Gerti Landwehr Women in Art BEAUTIFUL MADNESS 3009 Art ID 2025 | 80 x 80 cm Acrylic on canvas 3300 $ Gerti Landwehr Women in Art ANGEL EYES 2223 Art ID 2020 | 160 x 100 cm Acrylic on canvas 5300 $ Gerti Landwehr Women in Art HEY ... WAS GEHT? 2225 Art ID 2020 | 120x 100 cm Acrylic on canvas 4500 $ Gerti Landwehr Women in Art FLOWER SHOWER 2228 Art ID 2020 | 120 x 90 cm Acrylic on canvas 4300 $ Gerti Landwehr Women in Art FREE 2229 Art ID 2020 | 160 x 140 cm Acrylic on canvas 6100 $ Gerti Landwehr Women in Art SUMMERFEELING 2231 Art ID 2020 | 160 x 100 cm Acrylic on canvas 5300 $ Gerti Landwehr Women in Art DREAMING 2232 Art ID 2020 | 160 x 130 cm Acrylic on canvas 5800 $ Gerti Landwehr Women in Art INCREDIBLE 2233 Art ID 2020 | 120 x 100 cm Acrylic on canvas 4500 $ Gerti Landwehr Women in Art DEJA VU 2234 Art ID 2020 | 130 x 100 cm Acrylic on canvas 4600 $ Gerti Landwehr Women in Art FLYING COLORS 2338 Art ID 2025 | 60 x 60 cm Acrylic on canvas SOLD $ Gerti Landwehr Women in Art SATURDAY NIGHT FEVER 2339 Art ID 2024 | 60 x 60 cm Acrylic on canvas SOLD $ Gerti Landwehr Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Artist Statement: Ethics of the Gaze | Art as Resonance Between People I paint portraits not as representations, but as spaces of resonance. At the center is the gaze - that quiet, nonverbal gesture through which relationships are shaped. A gaze can offer closeness or mark a boundary, open trust or signal restraint. My painting makes these subtle signals visible and invites viewers to read them more consciously - within the image as in life. In this way, art becomes a resonance between people once again. Formally, my work moves between figuration and abstraction. Bold color combinations, decisive brushstrokes, and transparent layers create a vibrating field in which emotions appear as if in real time. In the friction between strength and delicacy, faces emerge that do not fix or judge, but invite response - dialogue rather than verdict. My paintings are a counterproposal to the fleeting flood of images. They slow down the gaze and sharpen perception for nuance: a minimal tension of the eyelid, a tilt of the head, a glint of light in the eye. Such details are not decoration - they determine whether we open ourselves or keep our distance. I understand painting as an ethics of the gaze. Each work is an invitation to see attentively and empathetically: to perceive boundaries, allow presence, and reflect on one’s own stance. When we relearn this wordless language, encounters change - privately and publicly alike. That is why I paint: to open spaces in which seeing becomes encounter, and our shared humanity gains tangible depth. Solo & Group Exhibitions 2025 | INC Art Fair Bodensee / Messe Dornbirn Österreich 2025 | Discovery Art Fair Frankfurt / Messe Frankfurt 2025 | ARTMUC München /MTC-München 2025 | Discovery Art Fair Köln / X- Post Köln 2024 | INC Art Fair Bodensee / Messe Dornbirn Österreich 2024 | Discovery Art Fair Frankfurt / Messe Frankfurt 2024 | Einzelausstellung „FACE TO FACE“ / Narander art Experience / Rheinauhafen Köln 2024 | ARTMUC Munich / MTC - Munich / Spring and Autumn 2024 | Discovery Art Fair Cologne / XPOST, Gladbacher Wall 5, 50670 Cologne 2024 | INCorporating Art Fair Bodensee / Messe Dornbirn - Austria 2023 | ARTMUC Munich / MTC - Munich 2023 | Discovery Art Fair Cologne / XPOST, Gladbacher Wall 5, 50670 Cologne 2023 | Grace and Charm in Contemporary Art / City Gallery - Bathhouse in the Old Spa Park - Bad Soden/TS 2022 | FY I AM FAMOUS / Hamburg Hafencity - Hamburg 2022 | Little treasures 2022 / Galerie di Marchi - Bologna - Italy 2022 | ARTMUC Munich / MTC - Munich 2022 | Arte Wiesbaden / RheinMain CongressCenter - Wiesbaden 2022 | ARTe Konstanz / Lake Constance Forum - Konstanz 2022 | INCorporating art fair / Hafencity - Hamburg 2021 | ARTMUC / Praterinsel - Munich 2021 | ARTgerecht / Old Slaughterhouse - Karlsruhe 2021 | Bielefeld Night Views / Gallery Best - Bielefeld 2021 | INCorporating art fair - Hamburg 2021 | International Contemporary Art Fair, Chapiteau de Fontvieille, Monaco 2020 | ARTMUC / Praterinsel - Munich Press | Television 2023 | FAZ; within the context of the exhibition "Grace and Charm in Contemporary Art" at the City Gallery Bad Soden 2022 | NDR - Hamburg Journal; "Tribute to Romy Schneider Part 1" at FY I AM FAMOUS Gallery, Hafencity Hamburg 2022 | NDR Hamburg Journal; "Tribute to Romy Schneider Part 2" at FY I AM FAMOUS Gallery, Hafencity Hamburg 2022 | BILD Newspaper; Lien Kaspari- Romy Schneider & Alain Delon - World Star Love in the Hafencity

*1575-1651 Europe van Dyck Floris Claesz 25 Artist ID: Only a relatively small œuvre is known of Floris van Dyck (13 paintings and one work in watercolour). He signed his paintings only with the monogram "FVD", occasionally joined with an "H" (Harlemensis), and followed by "Fecit". His paintings are counted among the banquet pieces (also: Banketjes or Ontbijtjes). However, since banketje or ontbijtje refers to almost all paintings depicting a table laden with food and crockery, a more differentiated designation for the paintings such as those created by Dyck and Gillis would be Schautafel. It seems that Floris van Dyck was influenced by the Flemish painters Clara Peeters and Osias Beert. Together with his fellow painter Nicolaes Gillis, Floris van Dyck established the banquet pieces (Schautafeln) in the city of Haarlem as an independent subject. Compared to Nicolaes Gillis, Floris van Dyck has a greater significance and can thus be said to have "the strongest stylistic force". The paintings of Floris van Dyck and Nicolaes Gillis had a strong influence on the following generation of painters. They paved the way for a new type of banquet piece - Het Monochrome Banketje. Floris van Dyck, also Floris van Dijck or Floris Claesz. van Dyck (* c. 1575 in Delft; † before April 1651 in Haarlem) was a Dutch still life painter of the Golden Age. His only known relative is his cousin, the painter and draughtsman Pieter Cornelisz. van Dyck. He first lived in Haarlem, where he became engaged in 1604 and later married for the first time. Nothing is known about his education. However, it is considered certain that he undertook a trip to Rome and stayed there around 1600. In 1606 he was already back in the Netherlands, in the city of Haarlem. In 1610 he became a member of the Guild of St. Luke in Haarlem and in 1637 its head. Floris van Dyck married for the second time in October 1627. After this marriage to Cornelia Jansdr. Vlasmans, who brought her fortune into the marriage, he no longer seemed to depend on his profession as a painter and thus on a self-generated income. He died shortly before April in 1651. Floris van Dyck, also Floris van Dijck or Floris Claesz. van Dyck (* c. 1575 in Delft; † before April 1651 in Haarlem) was a Dutch still life painter of the Golden Age. His only known relative is his cousin, the painter and draughtsman Pieter Cornelisz. van Dyck. He first lived in Haarlem, where he became engaged in 1604 and later married for the first time. Nothing is known about his education. However, it is considered certain that he undertook a trip to Rome and stayed there around 1600. In 1606 he was already back in the Netherlands, in the city of Haarlem. In 1610 he became a member of the Guild of St. Luke in Haarlem and in 1637 its head. Floris van Dyck married for the second time in October 1627. After this marriage to Cornelia Jansdr. Vlasmans, who brought her fortune into the marriage, he no longer seemed to depend on his profession as a painter and thus on a self-generated income. He died shortly before April in 1651. World of Art Still Life with Cheese 55 Art ID 1615 | 82,5 x 111,2 cm Oil on canvas 10000000 $ Floris Claesz van Dyck Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Only a relatively small œuvre is known of Floris van Dyck (13 paintings and one work in watercolour). He signed his paintings only with the monogram "FVD", occasionally joined with an "H" (Harlemensis), and followed by "Fecit". His paintings are counted among the banquet pieces (also: Banketjes or Ontbijtjes). However, since banketje or ontbijtje refers to almost all paintings depicting a table laden with food and crockery, a more differentiated designation for the paintings such as those created by Dyck and Gillis would be Schautafel. It seems that Floris van Dyck was influenced by the Flemish painters Clara Peeters and Osias Beert. Together with his fellow painter Nicolaes Gillis, Floris van Dyck established the banquet pieces (Schautafeln) in the city of Haarlem as an independent subject. Compared to Nicolaes Gillis, Floris van Dyck has a greater significance and can thus be said to have "the strongest stylistic force". The paintings of Floris van Dyck and Nicolaes Gillis had a strong influence on the following generation of painters. They paved the way for a new type of banquet piece - Het Monochrome Banketje.

*1738-1820 Europe West Benjamin 42 Artist ID: King George III commissioned West to paint portraits of members of the royal family. For example, he painted Princes Edward and William and the elder children of William Duke of Gloucester, brother of King George III, Prince William, with his elder sister, Princess Sophia of Gloucester. The King also had himself painted twice by West. In 1772 King George appointed West as History Painter to the Court with an annual salary of £1000. In 1791 he was elected to the American Academy of Arts and Sciences. From 1791 until his death he was overseer of the royal paintings. West is known for his large-scale historical paintings, with expressive figures, colours and a compositional scheme that helps the viewer identify the scene depicted. West called this "epic representation". Benjamin West, PRA FRSA (* 10 October 1738 in Springfield, Province of Pennsylvania; † 11 March 1820 in London) was one of the first internationally important American painters. He received his first training in his homeland and earned his living with portrait paintings. With financial support from William Smith and William Allen, who was the richest man in Philadelphia, West travelled to Italy in 1760 and lived mainly in Rome. He copied the paintings of the great masters Titian and Raphael. Here he met Raphael Mengs, Johann Joachim Winckelmann and Gavin Hamilton. In 1763 he moved to London. In 1768 he participated in the foundation of the Royal Academy of Arts. In 1792, the first president of the Academy, Joshua Reynolds, died. Benjamin West succeeded him and remained president of the Royal Academy of Arts until the end of his life (1820). West produced classicist history paintings that are among the earliest of their kind in English art history. His painting The Death of General James Wolfe at Quebec (1770), exhibited at the Royal Academy in 1771, made him internationally famous. According to an anecdote, West asked the president of the Academy, Sir Joshua Reynolds, for advice. Reynolds had advised a depiction in ancient garb and pose, which West rejected: "The event which I wish to record in my picture took place on 13 September 1759, in a part of the world unknown to the Greeks and Romans, and at a time when there were neither any of those nations nor heroes in ancient garb on this earth.... I desire to give an accurate account of the date, the place, and the parties concerned in this event." Despite the depiction from a strictly contemporary point of view, the composition of the picture remained conventionally rooted in the Christian tradition of the depiction of the Pieta or the Descent from the Cross. The exotic reference was created by an Indian depiction. The success was perhaps overwhelming for this very reason. The stream of visitors to the Royal Academie did not stop. An engraving based on the painting was sold in large numbers in a very short time. Benjamin West, PRA FRSA (* 10 October 1738 in Springfield, Province of Pennsylvania; † 11 March 1820 in London) was one of the first internationally important American painters. He received his first training in his homeland and earned his living with portrait paintings. With financial support from William Smith and William Allen, who was the richest man in Philadelphia, West travelled to Italy in 1760 and lived mainly in Rome. He copied the paintings of the great masters Titian and Raphael. Here he met Raphael Mengs, Johann Joachim Winckelmann and Gavin Hamilton. In 1763 he moved to London. In 1768 he participated in the foundation of the Royal Academy of Arts. In 1792, the first president of the Academy, Joshua Reynolds, died. Benjamin West succeeded him and remained president of the Royal Academy of Arts until the end of his life (1820). West produced classicist history paintings that are among the earliest of their kind in English art history. His painting The Death of General James Wolfe at Quebec (1770), exhibited at the Royal Academy in 1771, made him internationally famous. According to an anecdote, West asked the president of the Academy, Sir Joshua Reynolds, for advice. Reynolds had advised a depiction in ancient garb and pose, which West rejected: "The event which I wish to record in my picture took place on 13 September 1759, in a part of the world unknown to the Greeks and Romans, and at a time when there were neither any of those nations nor heroes in ancient garb on this earth.... I desire to give an accurate account of the date, the place, and the parties concerned in this event." Despite the depiction from a strictly contemporary point of view, the composition of the picture remained conventionally rooted in the Christian tradition of the depiction of the Pieta or the Descent from the Cross. The exotic reference was created by an Indian depiction. The success was perhaps overwhelming for this very reason. The stream of visitors to the Royal Academie did not stop. An engraving based on the painting was sold in large numbers in a very short time. World of Art The Death of General Wolfe 94 Art ID 1738-1820 | 152,5 x 214,5 cm Oil on canvas 35000000 $ Benjamin West Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Benjamin Best created the painting "Christ with a Child in Heaven" for Johann Caspar Lavater. The contact with Lavater had come about through the Swiss preacher Johann Heinrich Sulger, who lived in London. Despite an enthusiastic reception, West only delivered a few smaller works or engravings to Lavater. There are several altarpieces by him in the court chapel at Windsor. He produced the cartoons for the window paintings, which Forest executed from 1792 to 1796. For the audience chambers of the castle he created six large paintings by order of King George III, the subjects of which are taken from the history of King Edward III, now united with many other pictures of West in a hall at Hampton Court. An altarpiece in the Hospital Church at Greenwich by West depicts St Paul on Melite hurling the viper from him. Many American artists studied with him in London, including Charles Willson Peale, Rembrandt Peale, Gilbert Stuart, John Trumbull, Thomas Sully and Samuel Morse. In 1803 West was admitted as an expatriate member of the Académie des Beaux-Arts. Benjamin West died at his home in Newman Street, London, on 11 March 1820. He was buried in St Paul's Cathedral (painter's corner) King George III commissioned West to paint portraits of members of the royal family. For example, he painted Princes Edward and William and the elder children of William Duke of Gloucester, brother of King George III, Prince William, with his elder sister, Princess Sophia of Gloucester. The King also had himself painted twice by West. In 1772 King George appointed West as History Painter to the Court with an annual salary of £1000. In 1791 he was elected to the American Academy of Arts and Sciences. From 1791 until his death he was overseer of the royal paintings. West is known for his large-scale historical paintings, with expressive figures, colours and a compositional scheme that helps the viewer identify the scene depicted. West called this "epic representation".

*1983 Europe Marinova Anna 5397 Artist ID: Women in Art Three graces 783 Art ID 2021 | 160 x 160 cm Oil on canvas Price on request $ Anna Marinova Women in Art Lilac dreams 782 Art ID 2021 | 160 x 120 cm Oil on canvas Price on request $ Anna Marinova Women in Art Apple for the most beautiful 781 Art ID 2022 | 160 x 120 cm Oil on canvas Price on request $ Anna Marinova Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.

*1923-1997 North America Lichtenstein Roy 92 Artist ID: The first topics that brought Lichtenstein’s work to public attention was appropriated from comic strips, but his later themes owed their visual syntax to themes from “high” culture, particularly the history of modern art. Pictured here is an example of his interpretations of Oskar Schlemmer's Bauhaus Staircase, In any case, his sense of irony is coupled with a strikingly positive spirit. Roy Lichtenstein became a leading figure in the new art movement during the 1960s - along with Andy Warhol, Jasper Johns, and James Rosenquist and among others. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Roy Lichtenstein became a leading figure in the new art movement during the 1960s - along with Andy Warhol, Jasper Johns, and James Rosenquist and among others. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. World of Art M-Maybe 251 Art ID 1965 | 152,0 x 152,0 cm Magna on canvas 85000000 $ Roy Lichtenstein World of Art Woman with Flowered Hat 252 Art ID 1963 | , 127,3 x 102,2 cm Oil and magna on canvas 56100000 $ Roy Lichtenstein World of Art Whaam! 253 Art ID 1963 | 172,7 x 210,8 cm Oil and magna on canvas 95000000 $ Roy Lichtenstein World of Art Bauhaus Stairway 254 Art ID 1988 | 238,8 x 167,7 cm Oil and magna on canvas 95000000 $ Roy Lichtenstein World of Art Peace through Chemistry 255 Art ID 1970 | 254,0 x 457,5 cm Oil and magna on canvas 110000000 $ Roy Lichtenstein World of Art Drowning Girl 256 Art ID 1963 | 171,6 x 169,5cm Oil and synthetic polymer paint on canvas 95000000 $ Roy Lichtenstein World of Art Figures in Landscape 257 Art ID 1977 | 254,0 x 457,5 cm Oil and magna on canvas 110000000 $ Roy Lichtenstein Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. During a trip to Los Angeles in 1978, Lichtenstein became fascinated by lawyer Robert Gore Rifkind’s collection of German Expressionist prints and illustrated books, and in 1980 began exploring the Expressionist stylistic vocabulary in paintings such as The White Tree, which evokes the lyricism of Der Blaue Reiter landscapes, and Expressionist Head that mimics Erich Heckel’s 1919 woodcut, Portrait of a Man. Lichtenstein also created a number of small pencil drawings that he used as templates for woodcuts, a medium favoured by Emile Nolde and Max Pechstein among other Expressionist artists. The culmination of this exploration was the Expressionist Woodcut Series, 1980. This set of seven woodcuts includes motifs that echo the Expressionist masterpieces, such as Dr. Waldmann, which recalls Otto Dix’s Dr. Mayer-Hermann, 1926, and Reclining Nude: an addition to Lichtenstein’s repertoire of iconography that had hitherto excluded nude figures. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons and Raymond Pettibon. The first topics that brought Lichtenstein’s work to public attention was appropriated from comic strips, but his later themes owed their visual syntax to themes from “high” culture, particularly the history of modern art. Pictured here is an example of his interpretations of Oskar Schlemmer's Bauhaus Staircase, In any case, his sense of irony is coupled with a strikingly positive spirit.