*1575-1651 Europe van Dyck Floris Claesz 25 Artist ID: Only a relatively small œuvre is known of Floris van Dyck (13 paintings and one work in watercolour). He signed his paintings only with the monogram "FVD", occasionally joined with an "H" (Harlemensis), and followed by "Fecit". His paintings are counted among the banquet pieces (also: Banketjes or Ontbijtjes). However, since banketje or ontbijtje refers to almost all paintings depicting a table laden with food and crockery, a more differentiated designation for the paintings such as those created by Dyck and Gillis would be Schautafel. It seems that Floris van Dyck was influenced by the Flemish painters Clara Peeters and Osias Beert. Together with his fellow painter Nicolaes Gillis, Floris van Dyck established the banquet pieces (Schautafeln) in the city of Haarlem as an independent subject. Compared to Nicolaes Gillis, Floris van Dyck has a greater significance and can thus be said to have "the strongest stylistic force". The paintings of Floris van Dyck and Nicolaes Gillis had a strong influence on the following generation of painters. They paved the way for a new type of banquet piece - Het Monochrome Banketje. Floris van Dyck, also Floris van Dijck or Floris Claesz. van Dyck (* c. 1575 in Delft; † before April 1651 in Haarlem) was a Dutch still life painter of the Golden Age. His only known relative is his cousin, the painter and draughtsman Pieter Cornelisz. van Dyck. He first lived in Haarlem, where he became engaged in 1604 and later married for the first time. Nothing is known about his education. However, it is considered certain that he undertook a trip to Rome and stayed there around 1600. In 1606 he was already back in the Netherlands, in the city of Haarlem. In 1610 he became a member of the Guild of St. Luke in Haarlem and in 1637 its head. Floris van Dyck married for the second time in October 1627. After this marriage to Cornelia Jansdr. Vlasmans, who brought her fortune into the marriage, he no longer seemed to depend on his profession as a painter and thus on a self-generated income. He died shortly before April in 1651. Floris van Dyck, also Floris van Dijck or Floris Claesz. van Dyck (* c. 1575 in Delft; † before April 1651 in Haarlem) was a Dutch still life painter of the Golden Age. His only known relative is his cousin, the painter and draughtsman Pieter Cornelisz. van Dyck. He first lived in Haarlem, where he became engaged in 1604 and later married for the first time. Nothing is known about his education. However, it is considered certain that he undertook a trip to Rome and stayed there around 1600. In 1606 he was already back in the Netherlands, in the city of Haarlem. In 1610 he became a member of the Guild of St. Luke in Haarlem and in 1637 its head. Floris van Dyck married for the second time in October 1627. After this marriage to Cornelia Jansdr. Vlasmans, who brought her fortune into the marriage, he no longer seemed to depend on his profession as a painter and thus on a self-generated income. He died shortly before April in 1651. World of Art Still Life with Cheese 55 Art ID 1615 | 82,5 x 111,2 cm Oil on canvas 10000000 $ Floris Claesz van Dyck Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Only a relatively small œuvre is known of Floris van Dyck (13 paintings and one work in watercolour). He signed his paintings only with the monogram "FVD", occasionally joined with an "H" (Harlemensis), and followed by "Fecit". His paintings are counted among the banquet pieces (also: Banketjes or Ontbijtjes). However, since banketje or ontbijtje refers to almost all paintings depicting a table laden with food and crockery, a more differentiated designation for the paintings such as those created by Dyck and Gillis would be Schautafel. It seems that Floris van Dyck was influenced by the Flemish painters Clara Peeters and Osias Beert. Together with his fellow painter Nicolaes Gillis, Floris van Dyck established the banquet pieces (Schautafeln) in the city of Haarlem as an independent subject. Compared to Nicolaes Gillis, Floris van Dyck has a greater significance and can thus be said to have "the strongest stylistic force". The paintings of Floris van Dyck and Nicolaes Gillis had a strong influence on the following generation of painters. They paved the way for a new type of banquet piece - Het Monochrome Banketje.

*1738-1820 Europe West Benjamin 42 Artist ID: King George III commissioned West to paint portraits of members of the royal family. For example, he painted Princes Edward and William and the elder children of William Duke of Gloucester, brother of King George III, Prince William, with his elder sister, Princess Sophia of Gloucester. The King also had himself painted twice by West. In 1772 King George appointed West as History Painter to the Court with an annual salary of £1000. In 1791 he was elected to the American Academy of Arts and Sciences. From 1791 until his death he was overseer of the royal paintings. West is known for his large-scale historical paintings, with expressive figures, colours and a compositional scheme that helps the viewer identify the scene depicted. West called this "epic representation". Benjamin West, PRA FRSA (* 10 October 1738 in Springfield, Province of Pennsylvania; † 11 March 1820 in London) was one of the first internationally important American painters. He received his first training in his homeland and earned his living with portrait paintings. With financial support from William Smith and William Allen, who was the richest man in Philadelphia, West travelled to Italy in 1760 and lived mainly in Rome. He copied the paintings of the great masters Titian and Raphael. Here he met Raphael Mengs, Johann Joachim Winckelmann and Gavin Hamilton. In 1763 he moved to London. In 1768 he participated in the foundation of the Royal Academy of Arts. In 1792, the first president of the Academy, Joshua Reynolds, died. Benjamin West succeeded him and remained president of the Royal Academy of Arts until the end of his life (1820). West produced classicist history paintings that are among the earliest of their kind in English art history. His painting The Death of General James Wolfe at Quebec (1770), exhibited at the Royal Academy in 1771, made him internationally famous. According to an anecdote, West asked the president of the Academy, Sir Joshua Reynolds, for advice. Reynolds had advised a depiction in ancient garb and pose, which West rejected: "The event which I wish to record in my picture took place on 13 September 1759, in a part of the world unknown to the Greeks and Romans, and at a time when there were neither any of those nations nor heroes in ancient garb on this earth.... I desire to give an accurate account of the date, the place, and the parties concerned in this event." Despite the depiction from a strictly contemporary point of view, the composition of the picture remained conventionally rooted in the Christian tradition of the depiction of the Pieta or the Descent from the Cross. The exotic reference was created by an Indian depiction. The success was perhaps overwhelming for this very reason. The stream of visitors to the Royal Academie did not stop. An engraving based on the painting was sold in large numbers in a very short time. Benjamin West, PRA FRSA (* 10 October 1738 in Springfield, Province of Pennsylvania; † 11 March 1820 in London) was one of the first internationally important American painters. He received his first training in his homeland and earned his living with portrait paintings. With financial support from William Smith and William Allen, who was the richest man in Philadelphia, West travelled to Italy in 1760 and lived mainly in Rome. He copied the paintings of the great masters Titian and Raphael. Here he met Raphael Mengs, Johann Joachim Winckelmann and Gavin Hamilton. In 1763 he moved to London. In 1768 he participated in the foundation of the Royal Academy of Arts. In 1792, the first president of the Academy, Joshua Reynolds, died. Benjamin West succeeded him and remained president of the Royal Academy of Arts until the end of his life (1820). West produced classicist history paintings that are among the earliest of their kind in English art history. His painting The Death of General James Wolfe at Quebec (1770), exhibited at the Royal Academy in 1771, made him internationally famous. According to an anecdote, West asked the president of the Academy, Sir Joshua Reynolds, for advice. Reynolds had advised a depiction in ancient garb and pose, which West rejected: "The event which I wish to record in my picture took place on 13 September 1759, in a part of the world unknown to the Greeks and Romans, and at a time when there were neither any of those nations nor heroes in ancient garb on this earth.... I desire to give an accurate account of the date, the place, and the parties concerned in this event." Despite the depiction from a strictly contemporary point of view, the composition of the picture remained conventionally rooted in the Christian tradition of the depiction of the Pieta or the Descent from the Cross. The exotic reference was created by an Indian depiction. The success was perhaps overwhelming for this very reason. The stream of visitors to the Royal Academie did not stop. An engraving based on the painting was sold in large numbers in a very short time. World of Art The Death of General Wolfe 94 Art ID 1738-1820 | 152,5 x 214,5 cm Oil on canvas 35000000 $ Benjamin West Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Benjamin Best created the painting "Christ with a Child in Heaven" for Johann Caspar Lavater. The contact with Lavater had come about through the Swiss preacher Johann Heinrich Sulger, who lived in London. Despite an enthusiastic reception, West only delivered a few smaller works or engravings to Lavater. There are several altarpieces by him in the court chapel at Windsor. He produced the cartoons for the window paintings, which Forest executed from 1792 to 1796. For the audience chambers of the castle he created six large paintings by order of King George III, the subjects of which are taken from the history of King Edward III, now united with many other pictures of West in a hall at Hampton Court. An altarpiece in the Hospital Church at Greenwich by West depicts St Paul on Melite hurling the viper from him. Many American artists studied with him in London, including Charles Willson Peale, Rembrandt Peale, Gilbert Stuart, John Trumbull, Thomas Sully and Samuel Morse. In 1803 West was admitted as an expatriate member of the Académie des Beaux-Arts. Benjamin West died at his home in Newman Street, London, on 11 March 1820. He was buried in St Paul's Cathedral (painter's corner) King George III commissioned West to paint portraits of members of the royal family. For example, he painted Princes Edward and William and the elder children of William Duke of Gloucester, brother of King George III, Prince William, with his elder sister, Princess Sophia of Gloucester. The King also had himself painted twice by West. In 1772 King George appointed West as History Painter to the Court with an annual salary of £1000. In 1791 he was elected to the American Academy of Arts and Sciences. From 1791 until his death he was overseer of the royal paintings. West is known for his large-scale historical paintings, with expressive figures, colours and a compositional scheme that helps the viewer identify the scene depicted. West called this "epic representation".

*1983 Europe Marinova Anna 5397 Artist ID: Women in Art Three graces 783 Art ID 2021 | 160 x 160 cm Oil on canvas Price on request $ Anna Marinova Women in Art Lilac dreams 782 Art ID 2021 | 160 x 120 cm Oil on canvas Price on request $ Anna Marinova Women in Art Apple for the most beautiful 781 Art ID 2022 | 160 x 120 cm Oil on canvas Price on request $ Anna Marinova Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.

*1923-1997 North America Lichtenstein Roy 92 Artist ID: The first topics that brought Lichtenstein’s work to public attention was appropriated from comic strips, but his later themes owed their visual syntax to themes from “high” culture, particularly the history of modern art. Pictured here is an example of his interpretations of Oskar Schlemmer's Bauhaus Staircase, In any case, his sense of irony is coupled with a strikingly positive spirit. Roy Lichtenstein became a leading figure in the new art movement during the 1960s - along with Andy Warhol, Jasper Johns, and James Rosenquist and among others. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Roy Lichtenstein became a leading figure in the new art movement during the 1960s - along with Andy Warhol, Jasper Johns, and James Rosenquist and among others. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. World of Art M-Maybe 251 Art ID 1965 | 152,0 x 152,0 cm Magna on canvas 85000000 $ Roy Lichtenstein World of Art Woman with Flowered Hat 252 Art ID 1963 | , 127,3 x 102,2 cm Oil and magna on canvas 56100000 $ Roy Lichtenstein World of Art Whaam! 253 Art ID 1963 | 172,7 x 210,8 cm Oil and magna on canvas 95000000 $ Roy Lichtenstein World of Art Bauhaus Stairway 254 Art ID 1988 | 238,8 x 167,7 cm Oil and magna on canvas 95000000 $ Roy Lichtenstein World of Art Peace through Chemistry 255 Art ID 1970 | 254,0 x 457,5 cm Oil and magna on canvas 110000000 $ Roy Lichtenstein World of Art Drowning Girl 256 Art ID 1963 | 171,6 x 169,5cm Oil and synthetic polymer paint on canvas 95000000 $ Roy Lichtenstein World of Art Figures in Landscape 257 Art ID 1977 | 254,0 x 457,5 cm Oil and magna on canvas 110000000 $ Roy Lichtenstein Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. During a trip to Los Angeles in 1978, Lichtenstein became fascinated by lawyer Robert Gore Rifkind’s collection of German Expressionist prints and illustrated books, and in 1980 began exploring the Expressionist stylistic vocabulary in paintings such as The White Tree, which evokes the lyricism of Der Blaue Reiter landscapes, and Expressionist Head that mimics Erich Heckel’s 1919 woodcut, Portrait of a Man. Lichtenstein also created a number of small pencil drawings that he used as templates for woodcuts, a medium favoured by Emile Nolde and Max Pechstein among other Expressionist artists. The culmination of this exploration was the Expressionist Woodcut Series, 1980. This set of seven woodcuts includes motifs that echo the Expressionist masterpieces, such as Dr. Waldmann, which recalls Otto Dix’s Dr. Mayer-Hermann, 1926, and Reclining Nude: an addition to Lichtenstein’s repertoire of iconography that had hitherto excluded nude figures. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons and Raymond Pettibon. The first topics that brought Lichtenstein’s work to public attention was appropriated from comic strips, but his later themes owed their visual syntax to themes from “high” culture, particularly the history of modern art. Pictured here is an example of his interpretations of Oskar Schlemmer's Bauhaus Staircase, In any case, his sense of irony is coupled with a strikingly positive spirit.

Discover a meticulously curated selection of exceptional artworks by female artists at Women in Art. Ideal for collectors, gallery owners, and curators eager to invest in and promote remarkable talent. Experience the fusion of tradition and contemporary brilliance. Visit THE ART HUB / WORLD OF ART on unique-fine-art.com, proudly collaborating with MoCa Beijing for the special Women in Art exhibition in November 2025. China, Beijing, Tongzhou, 辛瞳路 Celebrating Global Artistry: Our Journey to MoCA Beijing We are meticulously selecting 100 artists from our Women in Art | THE ART HUB initiative to be considered by the committee at MoCA Beijing. The committee will curate these submissions down to 20 final artists whose work will be showcased at the museum. The exhibition is set to commence in November 2025 and will run for a duration of three months. THE AUTOR GO THE ARTISTS GO

*1872-1944 Europe Mondrian Piet 66 Artist ID: Mondrian began painting around 1900 in the Impressionist style of the Hague School. From about 1908 he worked under the influence of Vincent van Gogh and Fauvism. After moving to Paris in 1911, he turned to Cubism under the influence of Georges Braque and Pablo Picasso. Beginning in the 1920s, Mondrian created the well-known strictly geometric paintings attributed to Neo-Plasticism. Their characteristic structure of a black grid, combined with rectangular surfaces in primary colors, leads to their inclusion in art, architecture, fashion, advertising and popular culture up to the present day. As an art theorist and co-founder of the artists' association De Stijl, Mondrian wrote, among other things, Le Néo-Plasticisme, which was published in 1925 in German translation as Bauhaus Book No. 5 under the title Neue Gestaltung. Neoplasticism, Nieuwe Beelding. He loosened up the works newly created in exile in New York from 1940 in a mosaic-like manner into the primary colors and in this way overcame the earlier strict compositions in favor of the new musical rhythmization of the motif. Piet Mondrian (real name Pieter Cornelis Mondriaan; * 7 March 1872 in Amersfoort, Netherlands; † 1 February 1944 in New York City, New York) was a Dutch painter of classical modernism. The artist, who created the style of Neoplasticism, is considered the most important representative of Dutch Constructivism as well as Concrete Art, so called by Theo van Doesburg. With his later work, he was one of the founders of abstract painting. Piet Mondrian (real name Pieter Cornelis Mondriaan; * 7 March 1872 in Amersfoort, Netherlands; † 1 February 1944 in New York City, New York) was a Dutch painter of classical modernism. The artist, who created the style of Neoplasticism, is considered the most important representative of Dutch Constructivism as well as Concrete Art, so called by Theo van Doesburg. With his later work, he was one of the founders of abstract painting. World of Art Composition No. III, with Red, Blue, Yellow and Black 179 Art ID 1929 | 50,0 x 50,2 cm Oil on canvas 50600000 $ Piet Mondrian Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Mondrian began painting around 1900 in the Impressionist style of the Hague School. From about 1908 he worked under the influence of Vincent van Gogh and Fauvism. After moving to Paris in 1911, he turned to Cubism under the influence of Georges Braque and Pablo Picasso. Beginning in the 1920s, Mondrian created the well-known strictly geometric paintings attributed to Neo-Plasticism. Their characteristic structure of a black grid, combined with rectangular surfaces in primary colors, leads to their inclusion in art, architecture, fashion, advertising and popular culture up to the present day. As an art theorist and co-founder of the artists' association De Stijl, Mondrian wrote, among other things, Le Néo-Plasticisme, which was published in 1925 in German translation as Bauhaus Book No. 5 under the title Neue Gestaltung. Neoplasticism, Nieuwe Beelding. He loosened up the works newly created in exile in New York from 1940 in a mosaic-like manner into the primary colors and in this way overcame the earlier strict compositions in favor of the new musical rhythmization of the motif.

*1965 Europe Hartusch Martina 3427 Artist ID: Artistic Journey Martina Hartusch is an artist with national exposure (numerous exhibitions in Graz,Styria,Vienna) and is member of the Austrian Artist Association BVBK (Berufsvereinigung der Bildenden Künstler). But she was also internationally represented in group exhibitions (Italy and New York). Her works have already found collectors all over the world (eg. Japan,Taiwan,India,UK,US,EU). Curriculum Vitae | Exhibitions 1965 | born and raised in Kapfenberg,Austria 1983 | move to Graz for studies in medicine specialized in medical laboratory work 1989 | Degree of Sciences in Health Studies for Laboratory work 1995 | move to Vienna 2000 | return to Graz and decision to devote herself to painting – lots of workshops with renowned artists follow 2007 | renting her first studio 2014 | first solo exhibition in Graz, becoming member of Artist association BVBK 2014- 2024 | Participation in many group exhibitions in Austria 2018 | Solo exhibition in Graz 2019 | Group exhibition in Torino (Italy) 2023 | Group exhibition in NY (S&V Gallery) Instagram Website Brief Biography Martina Hartusch is a distinguished Austrian artist based in Graz, known for her abstract creations using high-quality acrylic paints and natural pigments. Her fascination with structure and tactile elements leads her to incorporate materials such as sand, paper, and various collage components into her mixed media techniques. This approach gives her artwork a distinctive and unique style. Her pieces are categorized into different series based on the materials used: C-series (Color-series): Acrylic paint on canvas. SC-series (Structure and Color-series): Mixed media on canvas. SMC-series (Structure-MonoColor-series): Mixed media with a primary focus on one color. While predominantly abstract, Martina also explores realism, particularly in landscapes, with her seaside paintings being notably acclaimed by art critics. Her work "SC_57_‘The Supreme Good is Harmony of the Soul’" was a finalist at the Global Art Award 2020 in Shanghai. Martina has also been recognized with several quality certificates and honorable mentions for various artworks, such as "SC_92_Tortuga" and "MC_3_Through Discipline Comes Freedom." Martina draws her primary inspiration from nature, and even her abstract works echo natural phenomena. Brief Biography Martina Hartusch is a distinguished Austrian artist based in Graz, known for her abstract creations using high-quality acrylic paints and natural pigments. Her fascination with structure and tactile elements leads her to incorporate materials such as sand, paper, and various collage components into her mixed media techniques. This approach gives her artwork a distinctive and unique style. Her pieces are categorized into different series based on the materials used: C-series (Color-series): Acrylic paint on canvas. SC-series (Structure and Color-series): Mixed media on canvas. SMC-series (Structure-MonoColor-series): Mixed media with a primary focus on one color. While predominantly abstract, Martina also explores realism, particularly in landscapes, with her seaside paintings being notably acclaimed by art critics. Her work "SC_57_‘The Supreme Good is Harmony of the Soul’" was a finalist at the Global Art Award 2020 in Shanghai. Martina has also been recognized with several quality certificates and honorable mentions for various artworks, such as "SC_92_Tortuga" and "MC_3_Through Discipline Comes Freedom." Martina draws her primary inspiration from nature, and even her abstract works echo natural phenomena. Women in Art CALM 1806 Art ID 2021 | 120 x 100 cm Mixed media on canvas 3600 $ Martina Hartusch Women in Art Breaking wave 1807 Art ID 2021 | 120 x 100 cm Acrylic on canvas 3600 $ Martina Hartusch Women in Art Rising seas II 1808 Art ID 2019 | 70 x 70 cm Mixed media on canvas 1600 $ Martina Hartusch Women in Art Desertification 1809 Art ID 2019 | 70 x 50 cm Mixed media on canvas 1500 $ Martina Hartusch Women in Art VENUS 1810 Art ID 2022 | 100 x 100 cm Mixed media on canvas 3200 $ Martina Hartusch Women in Art What have you done? 1811 Art ID 2013 | 80 x 100 cm Mixed media on canvas 2000 $ Martina Hartusch Women in Art The lost composition 1812 Art ID 2019 | 80 x 120 cm Mixed media on canvas 2500 $ Martina Hartusch Women in Art Lost piece of music 1813 Art ID 2022 | 80 x 80 cm Mixed media on canvas 1800 $ Martina Hartusch Women in Art Hurricane 1814 Art ID 2017 | 100 x 80 cm Mixed media on canvas 2000 $ Martina Hartusch Women in Art The supreme good... 1805 Art ID 2017 | 100 x 120 cm Mixed media on canvas 3600 $ Martina Hartusch Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Artist Statement My artistic practice is an essential means through which I engage with the world around me. It serves as both a reflection of my existence and a meditative practice that provides me with strength in daily life. Vision & Goals To secure a larger studio space that will support the expansion of my work. To enhance my visibility and participation in notable exhibitions. To continuously improve and refine my artistic skills and techniques. Artistic Journey Martina Hartusch is an artist with national exposure (numerous exhibitions in Graz,Styria,Vienna) and is member of the Austrian Artist Association BVBK (Berufsvereinigung der Bildenden Künstler). But she was also internationally represented in group exhibitions (Italy and New York). Her works have already found collectors all over the world (eg. Japan,Taiwan,India,UK,US,EU). Curriculum Vitae | Exhibitions 1965 | born and raised in Kapfenberg,Austria 1983 | move to Graz for studies in medicine specialized in medical laboratory work 1989 | Degree of Sciences in Health Studies for Laboratory work 1995 | move to Vienna 2000 | return to Graz and decision to devote herself to painting – lots of workshops with renowned artists follow 2007 | renting her first studio 2014 | first solo exhibition in Graz, becoming member of Artist association BVBK 2014- 2024 | Participation in many group exhibitions in Austria 2018 | Solo exhibition in Graz 2019 | Group exhibition in Torino (Italy) 2023 | Group exhibition in NY (S&V Gallery) Instagram Website

©V/12 2017 2979 Art ID: Rauss Ingeborg $ 4400 90 x 60 cm Acrylic on canvas Request for Rent Inquire Now Artist's Story Digital room visualization | Art Mockup Studio Digital room visualization - example only | Digitale Raumvisualisierung - Beispielabbildung > < The artwork belongs to the series "Smartphone-Generation" and is registered in the artist’s Catalogue Raisonné under IR-V_712. ©V/12 Artist's Story Women in Art ©VII/17 2995 Art ID: 2020 | 120 x 80 cm Serial concept work in digital art on aluminum Dibond 5800 $ Ingeborg Rauss Women in Art ©VII/18 2996 Art ID: 2025 | 130 x 100 cm Acrylic on cotton 6700 $ Ingeborg Rauss Women in Art ©VII/23 2997 Art ID: 2023 | 55 x70 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/24 2998 Art ID: 2024 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/25 2999 Art ID: 2023 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss More from This Artist... Load more... Women in Art Funky Good Times 3195 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Drifting 3196 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art What Do I Know Anyway 3197 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Homecoming 3198 Art ID: | 170 x 210 cm Price on request $ Anne Herzbluth Women in Art The Black Swan 3199 Art ID: | 200 x 150 cm Price on request $ Anne Herzbluth Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Explore Further Unique Fine Art Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Discover thousands of artworks to choose from!

©III/10 2011 2933 Art ID: Rauss Ingeborg $ 5900 100 x 100 cm Acrylic on canvas Request for Rent Inquire Now Artist's Story Digital room visualization | Art Mockup Studio Digital room visualization - example only | Digitale Raumvisualisierung - Beispielabbildung > < The artwork belongs to the series "Yesterday Everything Was Still All Right" and is registered in the artist’s Catalogue Raisonné under IR-III_510. ©III/10 Artist's Story Women in Art ©VII/17 2995 Art ID: 2020 | 120 x 80 cm Serial concept work in digital art on aluminum Dibond 5800 $ Ingeborg Rauss Women in Art ©VII/18 2996 Art ID: 2025 | 130 x 100 cm Acrylic on cotton 6700 $ Ingeborg Rauss Women in Art ©VII/23 2997 Art ID: 2023 | 55 x70 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/24 2998 Art ID: 2024 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/25 2999 Art ID: 2023 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss More from This Artist... Load more... Women in Art Funky Good Times 3195 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Drifting 3196 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art What Do I Know Anyway 3197 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Homecoming 3198 Art ID: | 170 x 210 cm Price on request $ Anne Herzbluth Women in Art The Black Swan 3199 Art ID: | 200 x 150 cm Price on request $ Anne Herzbluth Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Explore Further Unique Fine Art Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Discover thousands of artworks to choose from!

©I/36 2013 2912 Art ID: Rauss Ingeborg $ 7100 120 x 120 cm Acrylic on canvas Request for Rent Inquire Now Artist's Story Digital room visualization | Art Mockup Studio Digital room visualization - example only | Digitale Raumvisualisierung - Beispielabbildung > < The artwork belongs to the series "Pictorial Signs – Interpretation – Communication" and is registered in the artist’s Catalogue Raisonné under IR-I_336. ©I/36 Artist's Story Women in Art ©VII/17 2995 Art ID: 2020 | 120 x 80 cm Serial concept work in digital art on aluminum Dibond 5800 $ Ingeborg Rauss Women in Art ©VII/18 2996 Art ID: 2025 | 130 x 100 cm Acrylic on cotton 6700 $ Ingeborg Rauss Women in Art ©VII/23 2997 Art ID: 2023 | 55 x70 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/24 2998 Art ID: 2024 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/25 2999 Art ID: 2023 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss More from This Artist... Load more... Women in Art Funky Good Times 3195 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Drifting 3196 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art What Do I Know Anyway 3197 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Homecoming 3198 Art ID: | 170 x 210 cm Price on request $ Anne Herzbluth Women in Art The Black Swan 3199 Art ID: | 200 x 150 cm Price on request $ Anne Herzbluth Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Explore Further Unique Fine Art Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Discover thousands of artworks to choose from!

©IV/29 2013 2953 Art ID: Rauss Ingeborg $ 5900 100 x 100 cm Acrylic on canvas Request for Rent Inquire Now Artist's Story Digital room visualization | Art Mockup Studio Digital room visualization - example only | Digitale Raumvisualisierung - Beispielabbildung > < The artwork belongs to the series "Traffic Light Cows International" and is registered in the artist’s Catalogue Raisonné under IR-IV_629. ©IV/29 Artist's Story Women in Art ©VII/17 2995 Art ID: 2020 | 120 x 80 cm Serial concept work in digital art on aluminum Dibond 5800 $ Ingeborg Rauss Women in Art ©VII/18 2996 Art ID: 2025 | 130 x 100 cm Acrylic on cotton 6700 $ Ingeborg Rauss Women in Art ©VII/23 2997 Art ID: 2023 | 55 x70 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/24 2998 Art ID: 2024 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/25 2999 Art ID: 2023 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss More from This Artist... Load more... Women in Art Funky Good Times 3195 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Drifting 3196 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art What Do I Know Anyway 3197 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Homecoming 3198 Art ID: | 170 x 210 cm Price on request $ Anne Herzbluth Women in Art The Black Swan 3199 Art ID: | 200 x 150 cm Price on request $ Anne Herzbluth Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Explore Further Unique Fine Art Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Discover thousands of artworks to choose from!

©V/3 2016 2976 Art ID: Rauss Ingeborg $ 6100 100 x 110 cm Acrylic on canvas Request for Rent Inquire Now Artist's Story Digital room visualization | Art Mockup Studio Digital room visualization - example only | Digitale Raumvisualisierung - Beispielabbildung > < The artwork belongs to the series "Smartphone-Generation" and is registered in the artist’s Catalogue Raisonné under IR-V_703. ©V/3 Artist's Story Women in Art ©VII/17 2995 Art ID: 2020 | 120 x 80 cm Serial concept work in digital art on aluminum Dibond 5800 $ Ingeborg Rauss Women in Art ©VII/18 2996 Art ID: 2025 | 130 x 100 cm Acrylic on cotton 6700 $ Ingeborg Rauss Women in Art ©VII/23 2997 Art ID: 2023 | 55 x70 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/24 2998 Art ID: 2024 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss Women in Art ©VII/25 2999 Art ID: 2023 | 70 x 55 cm Acrylic on cotton 3600 $ Ingeborg Rauss More from This Artist... Load more... Women in Art Funky Good Times 3195 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Drifting 3196 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art What Do I Know Anyway 3197 Art ID: | 180 x 120 cm Price on request $ Anne Herzbluth Women in Art Homecoming 3198 Art ID: | 170 x 210 cm Price on request $ Anne Herzbluth Women in Art The Black Swan 3199 Art ID: | 200 x 150 cm Price on request $ Anne Herzbluth Load more... Discover other Artist's Art of The Same Style... Load more... A Call to the World's Finest Female Artists: Join us! Discover what makes our vibrant community unique – from nurturing creative talents to forging strong connections. Leverage our commission-free sales platform to keep the full sales price of your artworks, expand your network through our global partnerships with museums and galleries, and enhance your visibility with our comprehensive marketing and community engagement initiatives. REGISTER NOW REGISTER NOW Explore Further Unique Fine Art Rubens Peter Paul World of Art Cimon and Pero da Vinci Leonardo World of Art Mona Lisa da Vinci Leonardo World of Art Salvator Mundi Michelangelo World of Art Pietà Botticelli Sandro World of Art The Birth of Venus Michelangelo World of Art The Creation of Adam de Kooning Willem World of Art Interchange Cezanne Paul World of Art The Card Players Merisi da Caravaggio Michelangelo World of Art Madonna of the Rosary Rubens Peter Paul World of Art The Four Continents – The Four Rivers of Paradise Rubens Peter Paul World of Art The Tiger Hunt Seurat Georges World of Art A Sunday at Afternoon on the Island of La Grande Jatte SELECT from START Style Geography Price Remove Filter Filter now for more than 1.000 artists worldwide! Century Themes Discover thousands of artworks to choose from!