Propose a work associated with this style Propose a work associated with this style 1959-today Land Art DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Land Art (also commonly used in German) is a visual art movement that emerged in the USA at the end of the 1960s and was first described as "Earth Works" in 1968 at an exhibition in Virginia Dwan's gallery in New York. The term "Land Art", which is particularly common in Germany, was coined in 1969 by the German filmmaker and television gallerist Gerry Schum in his first television exhibition Land Art. The defining characteristic of Land Art is the creative, preferably minimalist and often radical intervention in a landscape to create a three-dimensional, always site-specific and often ephemeral work of art that changes the immediate experience of landscape and environment and provokes an intensified perception of space. In doing so, Land Art artists do not focus on a specific scale or method. Rather, they work with spaces on different scales, often with found natural materials but also with artificial materials such as concrete if the artistic design requires it. Land art emerged in the 1960s in the USA and, together with minimalism, was one of the most radical artistic concepts of the time. In contrast to minimalism, which was concerned with objectivity and was mainly found in the context of galleries and museums, Land Art was characterised by a romantic, but also by an explicitly socio-critical component. Discover Limited Edition Explore This Era DE EN 1959-today Land Art Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1975-today Appropriation Art DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Appropriation art is a form of expression in contemporary artistic creation. It is usually classified as conceptual art. In a narrower sense, Appropriation Art is when artists consciously and strategically copy the works of other artists, whereby the act of copying and the result itself are to be understood as art (otherwise one speaks of plagiarism or forgery). Strategies include "borrowing, stealing, appropriating, inheriting, assimilating.... Being influenced, inspired, dependent, hunted, obsessed, quoting, rewriting, revising, redesigning.... Revision, re-evaluation, variation, version, interpretation, imitation, approximation, improvisation, supplement, accretion, prequel... Pastiche, paraphrase, parody, piracy, forgery, homage, mimicry, travesty, shan-zhai, echo, allusion, intertextuality and karaoke." In a broader sense, Appropriation Art can be any art that deals with found aesthetic material, e.g. advertising photography, press photography, archival images, films, videos, etc. These can be exact, detailed copies; however, manipulations of the size, colour, material and medium of the original are also often made in the copy. This appropriation in Appropriation Art can be done with critical intent or as homage. Appropriation was introduced through the Pictures exhibition curated by Douglas Crimp at New York's Artists Space in the autumn of 1977. The early artists selected were Sherrie Levine, Jack Goldstein, Phillip Smith, Troy Brauntuch and Robert Longo. Cindy Sherman had had a solo show at Artists Space the year before; she was mentioned in Douglas Crimp's revised version of the catalogue text that appeared in the Marxist art magazine October in 1979. The Whitney Museum of American Art in New York and the Museum of Contemporary Art in Los Angeles held major retrospectives of the Pictures Generation in 1989, and in 2009 the Metropolitan Museum of Art in New York showed the early work of thirty artists from the 1970s New York art scene in the exhibition The Pictures Generation, 1974-1984, curated by Douglas Eklund. This Pictures Generation includes Louise Lawler, Barbara Kruger, Richard Prince, Sarah Charlesworth, and from the art scene in Buffalo (New York State) came Robert Longo, Cindy Sherman, Nancy Dwyer, Charles Clough and Michel Zwack. The most important "hotbed" of the movement was John Baldessari's seminar at the California Institute of the Arts in Los Angeles, where David Salle, Jack Goldstein, James Welling, Matt Mullican, Barbara Bloom, Ross Bleckner and Eric Fischl had studied. Discover Limited Edition Explore This Era DE EN 1975-today Appropriation Art Propose a work associated with this style Propose a work associated with this style

*1893-1983 North America Miro Joan 80 Artist ID: Building on Catalan folk art, his early works show influences from Cubism and Fauvism. From the beginning to the mid-1920s, the artist made the fundamental change in style in Paris, influenced by the prevailing art movements of Dadaism and Surrealism, which led him away from objectivity. As a representative of classical modernism, Miró is one of the most popular artists of the 20th century with his imaginative pictorial motifs. His magical symbols for the moon, stars, birds, eyes and women are among the most famous elements of his art. The disturbing late work, such as the Toiles brûlées (Burned Canvases) series, was staged destruction, a protest against the commercialization of art and an expression of his demand to “murder painting”. In the public space, for example, his ceramic walls adorn the UNESCO building in Paris and the Wilhelm Hack Museum in Ludwigshafen am Rhein; Monumental sculptures are set up in squares in Barcelona and Chicago, among others. Joan Miró i Ferrà (* 20 April 1893 in Barcelona, Catalonia; † 25 December 1983 in Palma) was a Spanish-Catalan painter, graphic artist, sculptor and ceramicist. Miró, as a representative of Classical Modernism with his imaginative pictorial motifs, is one of the most popular Surrealists of the 20th century. Joan Miró i Ferrà (* 20 April 1893 in Barcelona, Catalonia; † 25 December 1983 in Palma) was a Spanish-Catalan painter, graphic artist, sculptor and ceramicist. Miró, as a representative of Classical Modernism with his imaginative pictorial motifs, is one of the most popular Surrealists of the 20th century. World of Art The Caress of the Stars 220 Art ID 1938 | 60,3 x 69,3 cm Oil on canvas 50000000 $ Joan Miro World of Art The Harlequin‘s Carnival 221 Art ID 1924-1925 | 66,0 x 93,0 cm Oil on canvas 55000000 $ Joan Miro Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Building on Catalan folk art, his early works show influences from Cubism and Fauvism. From the beginning to the mid-1920s, the artist made the fundamental change in style in Paris, influenced by the prevailing art movements of Dadaism and Surrealism, which led him away from objectivity. As a representative of classical modernism, Miró is one of the most popular artists of the 20th century with his imaginative pictorial motifs. His magical symbols for the moon, stars, birds, eyes and women are among the most famous elements of his art. The disturbing late work, such as the Toiles brûlées (Burned Canvases) series, was staged destruction, a protest against the commercialization of art and an expression of his demand to “murder painting”. In the public space, for example, his ceramic walls adorn the UNESCO building in Paris and the Wilhelm Hack Museum in Ludwigshafen am Rhein; Monumental sculptures are set up in squares in Barcelona and Chicago, among others.

Propose a work associated with this style Propose a work associated with this style 1917-1925 Pittura metafisica DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Pittura metafisica (Metaphysical Painting) is an Italian movement in painting that developed from around 1910 and lasted until the mid-1920s. The name comes from metaphysics, which means the doctrine of the reasons and connections of being. In 1917, Giorgio de Chirico, his brother Alberto Savinio and the Futurist Carlo Carrà founded the Scuola metafisica in Ferrara. The characteristic of Pittura metafisica is that the supersensible, that which can only be recognised in acts of thought, and the spiritual, the transcendent, which lies beyond the world of the senses, are elevated to a pictorial system. The sequences of pictorial contents often lie beyond what can be experienced by the senses and a second mysterious reality is hidden behind the visible things. The painting of the Pittura metafisica is presented in the form of almost stage-like, mostly deserted places. Altered proportions, unrealistic colouring and the incorrect reproduction of light and shadow, as well as the use of several vanishing points characterise this genre. Due to the lack of aerial perspective, many paintings appear to be in a vacuum. In terms of content, the frequently depicted revaluation of existing values creates a connection to the contradictory. Discover Limited Edition Explore This Era DE EN 1917-1925 Pittura metafisica Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1910-1969 Surrealism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition The term surrealism comes from the French and is composed of the words sur (pronounced: sür = over) and réalisme (= reality, realism). It therefore literally means: above reality. The goal of the surrealists was to create a superior reality that goes beyond what we see and also includes the unconscious and dreamlike. They wanted to depict in their artworks not only what we see and know, but also dreams, visions, the unreal and the fantastic. In doing so, they let themselves be guided by spontaneous feelings and moods. In order to suspend the laws of logic and reason, the surrealists invented the technique of spontaneous painting or writing (automatism). Here, the artist only follows his spontaneous inspiration when he puts words or colours on paper, so that the unconscious can express itself without control by the mind. Associations, images and thoughts that arise during the work should flow unfiltered into the artwork. The surrealists also ventured into new pictorial forms and techniques. For example, the painter Max Ernst developed the techniques of frottage and grattage. In frottage, paper is placed on a structured surface such as wood. The grain is then rubbed onto the paper with a soft pencil. In grattage, the artist applies the paint in several layers on top of each other and then scrapes it off the canvas again, creating new colour patterns. Collage, which Georges Braque and Pablo Picasso developed in 1911/12, was also popular. In this process, different materials such as scraps of paper, pieces of wallpaper, fabric, wood or wire are processed and glued together to form a picture. Surrealism was founded in France by a group of artists that included French writers such as André Breton, Paul Eluard and Louis Aragon as well as the German painter Max Ernst. Breton published the Manifesto of Surrealism in 1924, in which he introduced the new movement in art. A first exhibition of Surrealist art took place in Paris in 1925. Among the artists represented there were Pablo Picasso, Paul Klee and Man Ray, who became famous as a photographer. Surrealist painting is divided into two styles: Painters like Salvador Dalí or René Magritte depicted unrelated things and forms in a naturalistic setting. Others, such as Joan Miró, painted in a completely abstract manner. Surrealism was a worldwide movement, surrealist artist groups formed in many European countries. After the Second World War, painters like Dalí and Max Ernst also made surrealism known in America. Discover Limited Edition Explore This Era DE EN 1910-1969 Surrealism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1905-1945 Expressionism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Expressionism (from Latin expressio 'expression') is a style in art. Its beginnings and precursors can be found in the late 19th century. Like Impressionism, Symbolism and Fauvism, Expressionism is a movement against the tendencies of Naturalism. In Expressionism, the expressive level predominates over the aesthetic, appellative and objective level. The artist wants to present his experience to the viewer. Expressionism is a style of fine art that emerged as an artistic movement in the early 20th century in the German-speaking world, which emerged for the first time in painting and graphic art through this explicit naming. As with Fauvism in France, Expressionism opposed the artistic forms of Impressionism. In Expressionist paintings, a free use of colour and form is evident in the frequent use of unmixed colours and, in German-speaking countries, the use of woodcut-like forms. Further characteristics are a reduction of motifs to striking formal elements of the pictorial objects and a dissolution of traditional perspective. The artists of this epoch were not concerned with the realistic reproduction of impressions and beautiful forms; in contrast to the Impressionist painters, the Expressionists expressed their subjective emotions. They passed on directly and spontaneously a motif interpreted "through-feelings". Very soon after the First World War and under its influence on the artists, Expressionism was partly overlaid and partly replaced by new styles (e.g. Constructivism, New Objectivity, Art Informel, in postmodernism by the Neue Wilde and Photorealism) and partly questioned by Dadaism. Discover Limited Edition Explore This Era DE EN 1905-1945 Expressionism Propose a work associated with this style Propose a work associated with this style

*1984 Europe Brázdová Ivana 1156 Artist ID: Women in Art Horoscope Leonardo da Vinci 1074 Art ID 2022 | 70 x 100 cm Acrylic, spray 2000 $ Ivana Brázdová Women in Art Coral reef 1080 Art ID 2023 | 70 x 100 cm Oil, spray 1200 $ Ivana Brázdová Women in Art Wild flowers 1082 Art ID 2024 | 70 x 70 cm Acrylic, oil, spray 800 $ Ivana Brázdová Women in Art Manta 1081 Art ID 2023 | 70 x 100 cm Acrylic, oil, spray, resin, sell pearl 1200 $ Ivana Brázdová Women in Art Jellyfish 1076 Art ID 2022 | 70 x 120 cm Acrylic, spray, inks, resin 1800 $ Ivana Brázdová Women in Art Kupka, Mondrian, Pollock in my head 1079 Art ID 2023 | 70 x 70 cm Acrylic, spray 1000 $ Ivana Brázdová Women in Art Water lilies 1077 Art ID 2022 | 70 x 70 cm Acrylic, oil, spray 800 $ Ivana Brázdová Women in Art Magic night 1075 Art ID 2022 | 20 x 50 cm Oil 600 $ Ivana Brázdová Women in Art Magic flight 1078 Art ID 2023 | 70 x 100 cm Acrylic, oil, spray, resin 1500 $ Ivana Brázdová Women in Art Humingbirds 1073 Art ID 2021 | 70 x 100 cm Acrylic, oil, spray 1000 $ Ivana Brázdová Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape.

*1998 Europe Hinterholzer Katrin 9507 Artist ID: Exhibition & Shows 2025 | Solo exhibition: Furniture Store Trixl, Fieberbrunn (AT) 2025 | Solo exhibition: Galerie Julian Eisen, Bad Aussee (AT) 2025 | Solo exhibition: Kunstraum21, Linz (AT) 2025 | Solo exhibition: Lawyers Office Dr. Reisinger & Mag. Kornprat, Vienna (AT) 2025 | Group exhibition: Kunstraum21, Linz (AT) 2024/2025 | Solo exhibition: Restaurant Decantei, Brixen (IT) 2024 | Group exhibition: Jubiläumsausstellung, Jakobskreuz, Pillerseetal (AT) 2024 | Group exhibition: Wenn der Berg ruft, Uptown Art Galerie, Graz (AT) 2024 | Group exhibition: Wenn sich der Atem in Luft auflöst, KreativRaum Galerie, Vienna (AT) 2024 | Group exhibition: CITYgalleryVIENNA, Vienna (AT) 2024 | Several works shown in galleries in Italy and Switzerland 2024 | Solo exhibition: Galerie Moro, Innsbruck (AT) 2023 | Solo exhibition: Farbtanz der Gipfel – Malerische Berglandschaften im Lichtspiel, Galerie Moro, Innsbruck (AT) 2022 | Solo exhibition: Ich mal mir die Welt, wie sie mir gefällt, Jakobskreuz, Pillerseetal (AT) 2021 | Solo exhibition: Plakative Augenweiden, Galerie im Zentrum, Fieberbrunn (AT) Brief Biography | Artistic Background Katrin Hinterholzer - 'Colourkatl' Born 1998 in St. Johann in Tirol, Austria Lives and works in Innsbruck, Austria Education 2023 - 2024 MA in Education, Pädagogische Hochschule Tirol, Austria 2019 - 2023 BA in Education, Pädagogische Hochschule Tirol, Austria 2017 - 2019 BA in Education (Secondary School: Arts & French), University of Salzburg, Austria Landscape Painting The first Covid lockdown profoundly shaped my artistic direction. Isolation sharpened my awareness of nature. I began to pay more attention to mountains, skies, and atmospheres. Once I have painted a mountain, I experience it differently in real life. I perceive its nuances more consciously, discover tones that often remain unnoticed, and encounter colours no one would expect in nature. My landscape works aim to capture ephemeral mountain moments such as the last rays of sun on a peak, changing skies at dusk, clouds drifting around rugged rock faces. I spend much of my time chasing these scenes and immortalising them on canvas. Food Painting In addition to landscapes, I have developed a fascination for food painting. I transform ordinary, everyday motifs such as fried eggs or bacon into an artwork. Their unexpected visual richness, their colours, textures, structures captivate me, as well as the way smooth, wet, or greasy surfaces interact with light. These subtle effects challenge me to translate them painterly and reveal the beauty hidden in the ordinary. Artistic Intent Whether mountains or food, my goal is the same: to remind the viewers about the beauty in the ordinary and to open their eyes to their surroundings. We live in an environment many people can only dream of, yet we often lose the ability to truly see it. Moments that transform the mountains into glowing atmospheres pass by unnoticed. Similarly, everyday objects contain visual worlds we rarely pay attention to because we’re busy rushing through our lives, ticking off our To Do’s. Through my work, I hope to shift focus toward the positive. In today’s global climate, I believe it is more important than ever to recognise small joys and give them the attention they deserve. Brief Biography | Artistic Background Katrin Hinterholzer - 'Colourkatl' Born 1998 in St. Johann in Tirol, Austria Lives and works in Innsbruck, Austria Education 2023 - 2024 MA in Education, Pädagogische Hochschule Tirol, Austria 2019 - 2023 BA in Education, Pädagogische Hochschule Tirol, Austria 2017 - 2019 BA in Education (Secondary School: Arts & French), University of Salzburg, Austria Landscape Painting The first Covid lockdown profoundly shaped my artistic direction. Isolation sharpened my awareness of nature. I began to pay more attention to mountains, skies, and atmospheres. Once I have painted a mountain, I experience it differently in real life. I perceive its nuances more consciously, discover tones that often remain unnoticed, and encounter colours no one would expect in nature. My landscape works aim to capture ephemeral mountain moments such as the last rays of sun on a peak, changing skies at dusk, clouds drifting around rugged rock faces. I spend much of my time chasing these scenes and immortalising them on canvas. Food Painting In addition to landscapes, I have developed a fascination for food painting. I transform ordinary, everyday motifs such as fried eggs or bacon into an artwork. Their unexpected visual richness, their colours, textures, structures captivate me, as well as the way smooth, wet, or greasy surfaces interact with light. These subtle effects challenge me to translate them painterly and reveal the beauty hidden in the ordinary. Artistic Intent Whether mountains or food, my goal is the same: to remind the viewers about the beauty in the ordinary and to open their eyes to their surroundings. We live in an environment many people can only dream of, yet we often lose the ability to truly see it. Moments that transform the mountains into glowing atmospheres pass by unnoticed. Similarly, everyday objects contain visual worlds we rarely pay attention to because we’re busy rushing through our lives, ticking off our To Do’s. Through my work, I hope to shift focus toward the positive. In today’s global climate, I believe it is more important than ever to recognise small joys and give them the attention they deserve. Women in Art Großer Dachstein 3162 Art ID 2024 | 120 x 80 cm Acrylic on hardboard 3600 $ Katrin Hinterholzer Women in Art Kaiserlich- Wilder Kaiser Landschaft 3163 Art ID 2025 | 120 x 80 cm Acrylic on hardboard 3600 $ Katrin Hinterholzer Women in Art Frühlingserwachen am Wilden Kaiser 3164 Art ID 2025 | 60 x 80 cm Acrylic on hardboard 2500 $ Katrin Hinterholzer Women in Art Alm im Winterwonderland 3165 Art ID 2025 | 36 x 115 cm Acrylic on mirror 2700 $ Katrin Hinterholzer Women in Art Berg im Vintagefenster 3166 Art ID 2025 | 85 x 103 cm Acrylic on glass 3300 $ Katrin Hinterholzer Women in Art Evening glow in the Dolomites 3167 Art ID 2024 | 100 x 80 cm Acrylic on hardboard 3200 $ Katrin Hinterholzer Women in Art Steinernes Meer bei Sonnenuntergang 3168 Art ID 2025 | 120 x 60 cm Acrylic on hardboard 3200 $ Katrin Hinterholzer Women in Art Pizza 3169 Art ID 2025 | 70 x 70 cm Acrylic on hardboard 2500 $ Katrin Hinterholzer Women in Art Pizza 3170 Art ID 2025 | 35 x 35 cm Acrylic on hardboard 1200 $ Katrin Hinterholzer Women in Art Kiachl in heißem Fett 3171 Art ID 2025 | 40 x 40 cm Acrylic on hardboard 1400 $ Katrin Hinterholzer Women in Art Sonnenaufgangsstimmung 3161 Art ID 2024 | 45 x 53 cm Acrylic on hardboard 1700 $ Katrin Hinterholzer Women in Art Großer Liebener und Hochfirst 3151 Art ID 2024 | 100 x 80 cm Acrylic on hardboard SOLD $ Katrin Hinterholzer Women in Art Burning Sky 3150 Art ID 2024 | 80 x 61 cm Acrylic on hardboard SOLD $ Katrin Hinterholzer Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Artist Statement My name is Katrin Hinterholzer, and I am a 27-year-old artist from Tyrol. After completing my Master’s degree in Primary Education, I made a deliberate choice: to devote myself entirely to painting. I am deeply grateful that I can now live from my art. Waking up each morning with anticipation for the day ahead feels like a gift. Exhibition & Shows 2025 | Solo exhibition: Furniture Store Trixl, Fieberbrunn (AT) 2025 | Solo exhibition: Galerie Julian Eisen, Bad Aussee (AT) 2025 | Solo exhibition: Kunstraum21, Linz (AT) 2025 | Solo exhibition: Lawyers Office Dr. Reisinger & Mag. Kornprat, Vienna (AT) 2025 | Group exhibition: Kunstraum21, Linz (AT) 2024/2025 | Solo exhibition: Restaurant Decantei, Brixen (IT) 2024 | Group exhibition: Jubiläumsausstellung, Jakobskreuz, Pillerseetal (AT) 2024 | Group exhibition: Wenn der Berg ruft, Uptown Art Galerie, Graz (AT) 2024 | Group exhibition: Wenn sich der Atem in Luft auflöst, KreativRaum Galerie, Vienna (AT) 2024 | Group exhibition: CITYgalleryVIENNA, Vienna (AT) 2024 | Several works shown in galleries in Italy and Switzerland 2024 | Solo exhibition: Galerie Moro, Innsbruck (AT) 2023 | Solo exhibition: Farbtanz der Gipfel – Malerische Berglandschaften im Lichtspiel, Galerie Moro, Innsbruck (AT) 2022 | Solo exhibition: Ich mal mir die Welt, wie sie mir gefällt, Jakobskreuz, Pillerseetal (AT) 2021 | Solo exhibition: Plakative Augenweiden, Galerie im Zentrum, Fieberbrunn (AT)

*1791-1824 Europe Gericault Theodore 48 Artist ID: Essential motifs of his paintings are horses, riding scenes, landscapes and portraits of simple people. Géricault became famous for his painting Le Radeau de la Méduse (The Raft of the Medusa), which was offered and exhibited at the Paris Salon in 1819 under the innocuous title Scene of a Shipwreck. This evoked the memory of a scandalous incident in 1816 in which 137 sailors were killed and which led to the immediate dismissal of the minister responsible for the navy and 200 naval officers. The painting also suggests a transition to realism on the part of the artist, for he made numerous studies of the sick, injured and corpses in Parisian hospitals for the painting. In this respect, although his painting style is still romantic, the physicality of the sitters is already of realistic accuracy. Jean-Louis André Théodore Géricault (* September 26, 1791 in Rouen, France; † January 26, 1824 in Paris) was a French painter, sculptor, draftsman and lithographer. He is considered one of the most important representatives of Romanticism in French painting. Théodore was born in Rouen, the son of the lawyer and tobacco manufacturer Georges-Nicolas Géricault (1743-1826) and his wife Louise-Jeanne-Marie Caruel (1753-1808). Around 1796 the family moved to Paris. Jean-Louis André Théodore Géricault (* September 26, 1791 in Rouen, France; † January 26, 1824 in Paris) was a French painter, sculptor, draftsman and lithographer. He is considered one of the most important representatives of Romanticism in French painting. Théodore was born in Rouen, the son of the lawyer and tobacco manufacturer Georges-Nicolas Géricault (1743-1826) and his wife Louise-Jeanne-Marie Caruel (1753-1808). Around 1796 the family moved to Paris. World of Art The Raft of the Medusa 104 Art ID 1819 | 491,0 x 716,0 cm Oil on canvas 90000000 $ Theodore Gericault Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Géricault, who died young as a result of a riding accident, is buried in the Père Lachaise cemetery in Paris. The copper plate on his grave shows the painting The Raft of the Medusa (small format) in relief. On the grave plinth is a sculpture showing Géricault (lying down) with a colour palette and brush. Essential motifs of his paintings are horses, riding scenes, landscapes and portraits of simple people. Géricault became famous for his painting Le Radeau de la Méduse (The Raft of the Medusa), which was offered and exhibited at the Paris Salon in 1819 under the innocuous title Scene of a Shipwreck. This evoked the memory of a scandalous incident in 1816 in which 137 sailors were killed and which led to the immediate dismissal of the minister responsible for the navy and 200 naval officers. The painting also suggests a transition to realism on the part of the artist, for he made numerous studies of the sick, injured and corpses in Parisian hospitals for the painting. In this respect, although his painting style is still romantic, the physicality of the sitters is already of realistic accuracy.

*1983 South America Antonietti Beatriz 704 Artist ID: As an artist unbound by formal education, my journey in art is not defined by traditional paths but by a profound connection to the world around me. I create not merely for profession but for pleasure, drawing upon the vibrant impressions of life's moments, both seen and felt. My brushstrokes on canvas—often in the versatile medium of acrylic—seek to capture and evoke powerful emotions and nuanced feelings, inviting viewers into a contemplative dialogue with the artwork. My appreciation for both Surrealism and Realism influences my style, allowing me to explore the boundaries between dream and reality. Each piece I create is an invitation for observers to experience a profound connection, to find beauty and resonance within the layers of color and form. This fusion of personal insight and professional dedication crafts a unique visual language that speaks to the heart as much as it does to the eye, aspiring to elevate the spirits of those who encounter my work. I am Beatriz Antonietti, i was born in Colombia and raised in Switzerland. Painting has been my passion since childhood. I draw inspiration from nature, animals, emotions that stir the heart, and the vivid colors of life. My art aims to capture the beauty of life and evoke reflection in the viewer. To me, art is a painted poem. Mi chiamo Beatriz Antonietti, sono nata in Colombia e cresciuta in Svizzera. La pittura è stata la mia passione fin dall'infanzia. Traggo ispirazione dalla natura, dagli animali, dalle emozioni che toccano il cuore e dai colori vivaci della vita. La mia arte mira a catturare la bellezza ed evocare la riflessione nello spettatore. Per me l’arte è una poesia dipinta. I am Beatriz Antonietti, i was born in Colombia and raised in Switzerland. Painting has been my passion since childhood. I draw inspiration from nature, animals, emotions that stir the heart, and the vivid colors of life. My art aims to capture the beauty of life and evoke reflection in the viewer. To me, art is a painted poem. Mi chiamo Beatriz Antonietti, sono nata in Colombia e cresciuta in Svizzera. La pittura è stata la mia passione fin dall'infanzia. Traggo ispirazione dalla natura, dagli animali, dalle emozioni che toccano il cuore e dai colori vivaci della vita. La mia arte mira a catturare la bellezza ed evocare la riflessione nello spettatore. Per me l’arte è una poesia dipinta. Women in Art Il Risveglio 2662 Art ID 2025 | 100 x 100 cm Acrylic on canvas 2900 $ Beatriz Antonietti Women in Art Valore dell amore 1647 Art ID 2022 | 50 x 50 cm Acrylic on canvas 1100 $ Beatriz Antonietti Women in Art Calle 1648 Art ID 2012 | 150 x 50 cm Acrylic on canvas 2200 $ Beatriz Antonietti Women in Art Corteggiamento 1649 Art ID 2022 | 40 x 160 cm Acrylic on canvas 2200 $ Beatriz Antonietti Women in Art Tentazione (desiderio) 1650 Art ID 2022 | 150 x 50 cm Acrylic on canvas 2200 $ Beatriz Antonietti Women in Art Disagio 1651 Art ID 2020 | 40 x 70 cm Acrylic on canvas 1200 $ Beatriz Antonietti Women in Art Monaco sente la pace 1652 Art ID 2013 | 150 x 200 cm Acrylic on canvas 2500 $ Beatriz Antonietti Women in Art La mente, il cuore. Creare per volare 807 Art ID 2022 | 80 x 120 cm Acrylic on canvas 2500 $ Beatriz Antonietti Women in Art Vanitá 1643 Art ID 2022 | 80 x 100 cm Acrylic on canvas 2500 $ Beatriz Antonietti Women in Art Sentire spegnersi 1646 Art ID 2022 | 30 x 40 cm Acrylic on canvas 800 $ Beatriz Antonietti Women in Art Giorno di lavoro 1645 Art ID 2022 | 100 x 150 cm Acrylic on canvas 2800 $ Beatriz Antonietti Women in Art Familia 1644 Art ID 2020 | 50 x 50 cm Acrylic on canvas 1100 $ Beatriz Antonietti Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. In my artistic pursuit, I aspire to move beyond mere visual appeal to touch the core of your emotions. Each creation is crafted with the hope of stirring profound feelings within you, inviting you to forge a deep and personal connection with the work. My goal is to ensure that every piece resonates uniquely, becoming a reflective mirror of your own experiences and emotions. Through this intimate interaction, art becomes not just a viewing experience, but a journey of emotional discovery and connection. Thank you for engaging with my vision and allowing my art to resonate within you. As an artist unbound by formal education, my journey in art is not defined by traditional paths but by a profound connection to the world around me. I create not merely for profession but for pleasure, drawing upon the vibrant impressions of life's moments, both seen and felt. My brushstrokes on canvas—often in the versatile medium of acrylic—seek to capture and evoke powerful emotions and nuanced feelings, inviting viewers into a contemplative dialogue with the artwork. My appreciation for both Surrealism and Realism influences my style, allowing me to explore the boundaries between dream and reality. Each piece I create is an invitation for observers to experience a profound connection, to find beauty and resonance within the layers of color and form. This fusion of personal insight and professional dedication crafts a unique visual language that speaks to the heart as much as it does to the eye, aspiring to elevate the spirits of those who encounter my work.

*1973 Europe Haas Marlene 3276 Artist ID: Exhibitions & Shows 2024 | Tage der offenen Ateliers 2023 | Tage der offenen Ateliers in Texing 2023 | Eventstadl Zimola Mank Vernissage 2022 | Home Exhibition - Texing, Steingrub Ateliereröffnung 2022 | Tage der offenen Ateliers im Steingrub-Atelier / Texing 2021 | Tage der offenen Ateliers in der Bergmühle Mank 2020 | Tage der offenen Ateliers in Oberndorf an der Melk 2020 | Visit to Farbfilm Ab Interview in der Bergmühle 2019 – 2022 | Permanent Exhibition at HaidPark- Skala Musterhaus 2019 | Coffee Pusch ST. Pölten Vernissage "Grauzone" - Exhibition until September 2017 – 2023 | Exhibition at Kanzlei Schabetsberger&Partner GmbH, Vienna 1st District 2018 | Café Holzgruber Ruprechtshofen 2017 | 3 K Gallery Rabenstein an der Pielach, Vernissage "Symbiosis" with Andrea Halbwachs 2015 | "Culture on Track" / Painting workshop for children 2013 | Christmas Exhibition at Gutshof- Zwerbach, Ruprechtshofen 2011 | Exhibition at Autohaus Lessiak WKÖ, Manker Economy 2011 | Law Office /SDH / Vernissage, Landtmann Haus 1st District Vienna 2011 | Christmas Market-Heuriger Brandtner, Melk 2009 – 2011 | Permanent Exhibition at Gasthaus Schrittwieser Mank 2009 | Vienna Wohn und Interieur -Kerschner Wohndesign 2009 | Art Project Emmaus ST.Pölten, design of Emmaus Residential Complex as leader 2007 – 2019 | Annual Tage der offenen Ateliers, Kulturvernetzung Nö/ in der Bergmühle with Vernissage 2006 – 2019 | Annual Christmas Exhibition of Manker Businesses at Stadtsaal Mank 2009 | Vernissage "Art and Fire" with Ulrike Zerzer, Christoph Brauneis, and Caroline Göllner 2008 | Caritas Vernissage at the Parish House 2007 | Member of Kulturvernetzung NÖ 2006 | October Opening of studio in Bergmühle with Vernissage 2006 | Exhibition at Rathaus and Stadtsaal Mank 2006 | Vernissage at Vinothek Bouton Sekt u. Dessous 2005 | Studio expansion in Bergmühle Hörgstberg, Mank 2005 | Vernissage at Möbelhaus Garschal, Mank 2004 | Christmas Exhibition at Schloss Leiben 2004 | Vernissage-Exhibition at Bürgerspital, Kilb 2004 | Business Opening at Prischl St. Leonhard 2003 – 2006 | Training as a Dipl. Feng-Shui Consultant at European Feng-Shui Institute Heureka Academy in Stadt Haag 2004 | Vernissage at Schallaburg 2003 | Vernissage in the cellar vault of Schallaburg 2003 | Exhibition at Schlossrestaurant Schallaburg 2003 | Group Vernissage at Volkshaus Ruprechtshofen 2002 | Exhibition at Sparkasse 2002 | Exhibition at Raika Loosdorf Permanent Exhibitions: Texing: Pizzeria Giovanni, Dr. Winter's Practice Mank: Raika Region Schallaburg, Farmers' Shop, Alexander Rammel Raumausstatter, Bakery Hubert Fischl, Rathaus und Stadtsaal Mank Brief Biography Born on March 29, 1973, in Melk (Lower Austria), as the second of five children and the daughter of bus company owners. From an early age, her passion for painting was central to her life. Despite this, she trained as a hairdresser in St. Pölten, and the dream of attending art school became a distant prospect. At the age of 25, she was diagnosed with depression, which coincided with a period of intense artistic activity. In 2003 and 2004, Marlene Haas organized her first self-curated exhibitions in the cellar vaults of Schallaburg. The response to these exhibitions encouraged her to give more space to art in her life. As a self-taught artist, she experiments across a broad spectrum of painting styles, from watercolor and mixed techniques to portrait painting. Eventually, she developed her own technique known as BetonArt, which represents the greatest expression of her artistic originality. Personal Statement My passion lies in the freedom to experiment with various materials and techniques on canvas. I select colors and structures that define my artworks and impart the expression I aim to achieve. My goal is to engage the viewer's eye and introduce a perspective that is not inherently obvious. In art, it is often demonstrated that nothing is as it seems. My pronounced curiosity in experimenting with techniques has been the best way to evolve, especially since I did not have a mentor to guide me into this field. As a self-taught artist, I enjoy an even greater artistic liberty and am minimally influenced by conventional standards, which allows me to express my unique individuality more freely. I will continue to expand and develop my works along these lines. Under these circumstances, my BetonARt – artworks on canvas were created, an idea that continually inspires new creations. Website Brief Biography Born on March 29, 1973, in Melk (Lower Austria), as the second of five children and the daughter of bus company owners. From an early age, her passion for painting was central to her life. Despite this, she trained as a hairdresser in St. Pölten, and the dream of attending art school became a distant prospect. At the age of 25, she was diagnosed with depression, which coincided with a period of intense artistic activity. In 2003 and 2004, Marlene Haas organized her first self-curated exhibitions in the cellar vaults of Schallaburg. The response to these exhibitions encouraged her to give more space to art in her life. As a self-taught artist, she experiments across a broad spectrum of painting styles, from watercolor and mixed techniques to portrait painting. Eventually, she developed her own technique known as BetonArt, which represents the greatest expression of her artistic originality. Personal Statement My passion lies in the freedom to experiment with various materials and techniques on canvas. I select colors and structures that define my artworks and impart the expression I aim to achieve. My goal is to engage the viewer's eye and introduce a perspective that is not inherently obvious. In art, it is often demonstrated that nothing is as it seems. My pronounced curiosity in experimenting with techniques has been the best way to evolve, especially since I did not have a mentor to guide me into this field. As a self-taught artist, I enjoy an even greater artistic liberty and am minimally influenced by conventional standards, which allows me to express my unique individuality more freely. I will continue to expand and develop my works along these lines. Under these circumstances, my BetonARt – artworks on canvas were created, an idea that continually inspires new creations. Website Women in Art Lebens Freude 1072 Art ID 2024 | 80 x 120 cm Acrylic, mixed media on canvas 1900 $ Marlene Haas Women in Art Schlangen Haut 1073 Art ID 2024 | 70 x 140 cm BetonART , mixed media on canvas 2200 $ Marlene Haas Women in Art Schöpfung 1074 Art ID 2024 | 80 x 120 cm Acrylic, mixed media on canvas 1900 $ Marlene Haas Women in Art Metapher 1075 Art ID 2019 | 100 x 150 cm Acrylic, mixed media on canvas 2200 $ Marlene Haas Women in Art Goldene Zeiten 1076 Art ID 2021 | 70 x 140 cm Acrylic, mixed media on canvas 1700 $ Marlene Haas Women in Art Orakel 1077 Art ID 2019 | 120 x 100 cm BetonART , mixed media on canvas 2200 $ Marlene Haas Women in Art Liebesgeflüster 1078 Art ID 2020 | 100 x 150 cm Acrylic, mixed media on canvas 2300 $ Marlene Haas Women in Art Lichtkuss 1079 Art ID 2023 | 70 x 140 cm BetonART , mixed media on canvas 2300 $ Marlene Haas Women in Art Reisender Engel 1080 Art ID 2018 | 100 x 150 cm BetonART, mixed media on canvas 2700 $ Marlene Haas Women in Art Tanz der Seele 1071 Art ID 2024 | 70 x 140 cm Acrylic, mixed media on canvas 1700 $ Marlene Haas Further Works of This Artist Display Your Work Alongside the Masters of Art Our platform provides carefully curated access to artworks selected by art experts, guaranteeing a selection of the highest quality. Join the Elite Circle Our Mission and Actions At THE ART HUB, our mission is initially focused on addressing a profound imbalance within the art world, specifically catering to women artists. In the current landscape, a mere 5% to 15% of artworks traded at auctions are created by women, starkly contrasted by the overwhelming 85% to 95% of works by male artists. This disparity is not only confined to auctions but is also prevalent in exhibitions, where male-created art significantly overshadows that of their female counterparts. By concentrating our efforts on female artists, THE ART HUB aims to counteract this imbalance and champion women within the art community. This initiative is designed to amplify the visibility of women artists, making their creations more accessible to a wider audience, and ultimately striving for a more balanced representation of genders within art auctions and exhibitions. By prioritizing women in art, our platform boldly advocates for equality and diversity within the art sector, signaling a commitment to reshaping and enriching the cultural landscape. Exhibitions & Shows 2024 | Tage der offenen Ateliers 2023 | Tage der offenen Ateliers in Texing 2023 | Eventstadl Zimola Mank Vernissage 2022 | Home Exhibition - Texing, Steingrub Ateliereröffnung 2022 | Tage der offenen Ateliers im Steingrub-Atelier / Texing 2021 | Tage der offenen Ateliers in der Bergmühle Mank 2020 | Tage der offenen Ateliers in Oberndorf an der Melk 2020 | Visit to Farbfilm Ab Interview in der Bergmühle 2019 – 2022 | Permanent Exhibition at HaidPark- Skala Musterhaus 2019 | Coffee Pusch ST. Pölten Vernissage "Grauzone" - Exhibition until September 2017 – 2023 | Exhibition at Kanzlei Schabetsberger&Partner GmbH, Vienna 1st District 2018 | Café Holzgruber Ruprechtshofen 2017 | 3 K Gallery Rabenstein an der Pielach, Vernissage "Symbiosis" with Andrea Halbwachs 2015 | "Culture on Track" / Painting workshop for children 2013 | Christmas Exhibition at Gutshof- Zwerbach, Ruprechtshofen 2011 | Exhibition at Autohaus Lessiak WKÖ, Manker Economy 2011 | Law Office /SDH / Vernissage, Landtmann Haus 1st District Vienna 2011 | Christmas Market-Heuriger Brandtner, Melk 2009 – 2011 | Permanent Exhibition at Gasthaus Schrittwieser Mank 2009 | Vienna Wohn und Interieur -Kerschner Wohndesign 2009 | Art Project Emmaus ST.Pölten, design of Emmaus Residential Complex as leader 2007 – 2019 | Annual Tage der offenen Ateliers, Kulturvernetzung Nö/ in der Bergmühle with Vernissage 2006 – 2019 | Annual Christmas Exhibition of Manker Businesses at Stadtsaal Mank 2009 | Vernissage "Art and Fire" with Ulrike Zerzer, Christoph Brauneis, and Caroline Göllner 2008 | Caritas Vernissage at the Parish House 2007 | Member of Kulturvernetzung NÖ 2006 | October Opening of studio in Bergmühle with Vernissage 2006 | Exhibition at Rathaus and Stadtsaal Mank 2006 | Vernissage at Vinothek Bouton Sekt u. Dessous 2005 | Studio expansion in Bergmühle Hörgstberg, Mank 2005 | Vernissage at Möbelhaus Garschal, Mank 2004 | Christmas Exhibition at Schloss Leiben 2004 | Vernissage-Exhibition at Bürgerspital, Kilb 2004 | Business Opening at Prischl St. Leonhard 2003 – 2006 | Training as a Dipl. Feng-Shui Consultant at European Feng-Shui Institute Heureka Academy in Stadt Haag 2004 | Vernissage at Schallaburg 2003 | Vernissage in the cellar vault of Schallaburg 2003 | Exhibition at Schlossrestaurant Schallaburg 2003 | Group Vernissage at Volkshaus Ruprechtshofen 2002 | Exhibition at Sparkasse 2002 | Exhibition at Raika Loosdorf Permanent Exhibitions: Texing: Pizzeria Giovanni, Dr. Winter's Practice Mank: Raika Region Schallaburg, Farmers' Shop, Alexander Rammel Raumausstatter, Bakery Hubert Fischl, Rathaus und Stadtsaal Mank

Propose a work associated with this style Propose a work associated with this style 1420-1500 Early Renaissance DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition The Early Renaissance was the first phase of the Renaissance and is dated roughly from 1420 to 1500. It first began in Italy in the early 15th century and showed related phenomena in the rest of Europe, e.g. in Old Netherlandish painting. In Italy, we speak of the Quattrocento. The Early Renaissance was followed by the High Renaissance. The Early Renaissance followed the Gothic period and draws its inspiration from various sources. The beginnings of Renaissance thought and feeling are closely connected with Renaissance humanism and can be traced back to Petrarch and Boccaccio. An essential criterion was the orientation of art on the model of nature. An essential means to this end was central perspective in painting, for which mathematical laws were formulated for the first time, and the revival of ancient art. The Christian symbolism of the Gothic period still largely determined the purpose and character of the works, but since the invention of central perspective by Filippo Brunelleschi and Leon Battista Alberti, the closeness to reality now also gained decisive importance for many paintings. Discover Limited Edition Explore This Era DE EN 1420-1500 Early Renaissance Propose a work associated with this style Propose a work associated with this style