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*1862-1918

Europe

Klimt

Gustav

62

Artist ID:

Klimt's work is characterized by the elegant golden or colored decoration, often phallic in form, that conceals the more erotic positions of the drawings on which many of his paintings are based. This can be seen in Judith I (1901) and in The Kiss (1907-1908) and especially in Danaë (1907). One of the most common subjects Klimt used was that of the dominant woman, the femme fatale. Art historians note a variety of influences that contribute to Klimt's distinctive style, including Egyptian, Minoan, classical Greek, and Byzantine inspirations. Klimt also drew inspiration from the engravings of Albrecht Dürer, late medieval European painting, and the Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles and use symbols or symbolic elements to convey psychological ideas and emphasize art's "freedom" from traditional culture.

Gustav Klimt (*14 July 1862 in Baumgarten near Vienna, today 14th district; † 6 February 1918 in Vienna, 9th district) symbolist painter and one of the most famous members of the Viennese Art Secession movement. His major works include paintings, murals, sketches and other art objects, many of which are on display at the Vienna Secession Gallery. Klimt's main motif was the female body, and his works are characterized by an overt eroticism - nowhere is this more evident than in his numerous pencil drawings.

Gustav Klimt (*14 July 1862 in Baumgarten near Vienna, today 14th district; † 6 February 1918 in Vienna, 9th district) symbolist painter and one of the most famous members of the Viennese Art Secession movement. His major works include paintings, murals, sketches and other art objects, many of which are on display at the Vienna Secession Gallery. Klimt's main motif was the female body, and his works are characterized by an overt eroticism - nowhere is this more evident than in his numerous pencil drawings.

World of Art

Portrait of Adele Bloch-Bauer I

159

Art ID

1907

|

138,0 x 138,0 cm

Oil, gold and silver on canvas

173300000

$

Gustav

Klimt

World of Art

The Bride

161

Art ID

1917-1918

|

166,0 x 190,0 cm

Oil on canvas

95000000

$

Gustav

Klimt

World of Art

Hope II.

168

Art ID

1907

|

110,5 x 110,5 cm

Oil, gold and collage on canvas

80000000

$

Gustav

Klimt

World of Art

The Kiss

163

Art ID

1907-1908

|

180,0 x 180,0 cm

Oil and gold on canvas

250000000

$

Gustav

Klimt

World of Art

The Girlfriends

170

Art ID

1916-1917

|

99,0 x 99,0 cm

Oil on canvas

55000000

$

Gustav

Klimt

World of Art

Farm Garden with Sunflowers

164

Art ID

1905-1906

|

110,0 x 110,0 cm

Oil on canvas

65000000

$

Gustav

Klimt

World of Art

Litzlberg am Attersee

166

Art ID

1914-1915

|

110,0 × 110,0 cm

Oil on canvas

59000000

$

Gustav

Klimt

World of Art

Portrait of Adele Bloch-Bauer II

171

Art ID

1912

|

190,0 x 120,0 cm

Oil on canvas

161800000

$

Gustav

Klimt

World of Art

Water Serpents II (The friends II)

169

Art ID

1904-1907

|

80,0 x 145,0 cm

Oil on canvas

204200000

$

Gustav

Klimt

World of Art

Death and Life

158

Art ID

1910-1915

|

178,0 x 198,0 cm

Oil on canvas

110000000

$

Gustav

Klimt

World of Art

Portrait of Fritza Riedler

162

Art ID

1906

|

153,0 x 133,0 cm

Oil on canvas

65000000

$

Gustav

Klimt

World of Art

Danaë

165

Art ID

1907-1908

|

77,0 x 83,0 cm

Oil and gold on canvas

75000000

$

Gustav

Klimt

Further Works of This Artist

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Klimt's work is characterized by the elegant golden or colored decoration, often phallic in form, that conceals the more erotic positions of the drawings on which many of his paintings are based. This can be seen in Judith I (1901) and in The Kiss (1907-1908) and especially in Danaë (1907). One of the most common subjects Klimt used was that of the dominant woman, the femme fatale. Art historians note a variety of influences that contribute to Klimt's distinctive style, including Egyptian, Minoan, classical Greek, and Byzantine inspirations. Klimt also drew inspiration from the engravings of Albrecht Dürer, late medieval European painting, and the Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles and use symbols or symbolic elements to convey psychological ideas and emphasize art's "freedom" from traditional culture.

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