Propose a work associated with this style Propose a work associated with this style 1915-1925 Magic Realism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Magic realism (Spanish: realismo mágico) is an artistic movement that has been represented since the 1920s, especially in the field of painting and literature in some European countries as well as in North and South America. Later, magic realism was also taken up and continued in the fields of film and photography. Magic realism represents the fusion of real reality (tangible, visible, rational) and magical reality (hallucinations, dreams). It is a "third reality", a synthesis of the realities we are familiar with. The transition to surrealism is fluid. Discover Limited Edition Explore This Era DE EN 1915-1925 Magic Realism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1907-1915 Cubism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Cubism is a style in art history. It emerged from an avant-garde movement in painting from 1906 in France. Its most important founders are Pablo Picasso and Georges Braque. Other representatives are Juan Gris and the Puteaux group, in particular Fernand Léger, Marcel Duchamp and Robert Delaunay, to whom Orphism goes back. Analytical and synthetic cubism developed from so-called early cubism. Cubism replaced Fauvism in France. Cubism did not have its own theory or manifesto. Together with Fauvism, Cubism ushered in Classical Modernism. At the beginning of the First World War in 1914, the movement began to dissolve. From today's perspective, Cubism represents the most revolutionary innovation in 20th century art. Cubism created a new order of thought in painting. The bibliography on Cubism is more extensive than on any other style in modern art. The influence of Cubist works on subsequent styles was very great. Cubism also spread to sculpture, giving rise to Cubist sculpture. The artists found further fields of activity in architecture and music as well as in film. The word cubism is derived from the French cube or Latin cubus for cube. Charles Morice used the term in an article of 16 April 1909 in the Mercure de France on Braque's paintings from the Salon des Indépendants. Louis Vauxcelles then established the term cubisme in his report on Braque's works at the 1909 Salon. From then on, the most recent paintings by Pablo Picasso and Georges Braque were assigned to the newly created style. According to Guillaume Apollinaire, Henri Matisse had first spoken of "petits cubes" when viewing a landscape painting by Braque in autumn 1908. Discover Limited Edition Explore This Era DE EN 1907-1915 Cubism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1959-today Land Art DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Land Art (also commonly used in German) is a visual art movement that emerged in the USA at the end of the 1960s and was first described as "Earth Works" in 1968 at an exhibition in Virginia Dwan's gallery in New York. The term "Land Art", which is particularly common in Germany, was coined in 1969 by the German filmmaker and television gallerist Gerry Schum in his first television exhibition Land Art. The defining characteristic of Land Art is the creative, preferably minimalist and often radical intervention in a landscape to create a three-dimensional, always site-specific and often ephemeral work of art that changes the immediate experience of landscape and environment and provokes an intensified perception of space. In doing so, Land Art artists do not focus on a specific scale or method. Rather, they work with spaces on different scales, often with found natural materials but also with artificial materials such as concrete if the artistic design requires it. Land art emerged in the 1960s in the USA and, together with minimalism, was one of the most radical artistic concepts of the time. In contrast to minimalism, which was concerned with objectivity and was mainly found in the context of galleries and museums, Land Art was characterised by a romantic, but also by an explicitly socio-critical component. Discover Limited Edition Explore This Era DE EN 1959-today Land Art Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1959-1965 Happening DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Along with Fluxus, the Happening is one of the most important forms of action art of the 1960s. A happening is an event improvised directly with the audience. One of the early forms of happening is the dé-coll/age happening. This includes throwing objects into the audience, exhibitionism, orgies of blood and paint, destroying, tearing, spoiling objects. The aim is to create a shock effect on an audience that is involved in the event through a wide variety of actions. The audience is part of the action conceived by the artist. The audience is included in the artistic actions, whereby the course of events is not fixed from the outset. Depending on the reaction of the audience, improvisation can vary (although happenings are seldom completely improvised, but rather rehearsed in advance). This also means that happenings usually do not have a fixed time frame; often the audience does not even know when the happening is over. Another characteristic of the happening is the use of different objects and their random or deliberate juxtaposition, which is also a basic principle of surrealism. The term was first used by Allan Kaprow in 1959 for an action at the Reuben Gallery in New York, which consisted of 18 happenings in six parts. There were three rooms, separated from each other by plastic sheeting, in which the events took place at the same time. However, Kaprow had already used the term in his essay "The Legacy of Jackson Pollock", published in 1958, where he sketched out a prognosis for the art of the post-Pollock generation. The aim of the Happening artists was to expand the traditional concept of art and to connect art with everyday life. In doing so, everyday actions were to be made clear to people and thereby abstracted. The boundary between Fluxus and Happening cannot be defined exactly, as some artists orientate themselves towards and participate in both forms of action. Discover Limited Edition Explore This Era DE EN 1959-1965 Happening Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1923-1933 New Objectivity DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition New Objectivity, as a style in the visual arts, developed in the German-speaking world after the First World War and represents a reaction to Expressionism. As the term already suggests, New Objectivity offered a return to reality and a concentration on the objectively perceptible. The style is therefore also referred to as the new representational painting of the Weimar Republic, which distanced itself from the more abstract, romantic or idealistic tendencies of Expressionism. It encompasses different currents. While some representatives of New Objectivity look at society from a socially critical point of view and bring the grievances of the Weimar Republic to light with their work, others are guided by classicism or develop a magical-realist variant of painting that can be understood as a bridge to Surrealism. Discover Limited Edition Explore This Era DE EN 1923-1933 New Objectivity Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1880-1910 Post-Impressionism/ Nachimpressionism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Post-Impressionism is a collective term for various styles of painting that followed Impressionism between 1880 and 1905. Instead of Post-Impressionism, the terms Post-Impressionism and Late Impressionism are also commonly used. The main focus of development was France. Within France, Post-Impressionism was replaced by Fauvism. Post-Impressionism generally includes Pointillism (also known as Divisionism or Neo-Impressionism), Cloisonism, Synthetism, the Nabis group of artists, the Pont-Aven School, and the works of van Gogh, Gauguin, Toulouse-Lautrec and Cézanne. The term goes back to the English painter and art critic Roger Fry, who used it in 1910 on the occasion of the exhibition he organised, Manet and the Post-Impressionists, at the Grafton Galleries, London. Paintings by Paul Cézanne, Paul Gauguin and Vincent van Gogh, among others, were shown there. The distinction from Impressionism is, however, blurred. Cézanne in particular is occasionally assigned to one category or the other. Through the Impressionists, a clearly changed conception of art had become visible in the 1870s, a first step on the way to modernist art. The late Impressionists continued along this path, but developed new ideas of order to the spontaneity and virtuosity of their predecessors. The tendency was to see the picture more and more clearly as an independent art form. It was to become an object of pure presentation of colour and form, aiming at aesthetic pleasure and the transmission of subjective feelings of the artist. The viewer is thus invited to value the sensual experience of colours and lines more highly than the natural appearance of things, to which less and less importance was attached. Discover Limited Edition Explore This Era DE EN 1880-1910 Post-Impressionism/ Nachimpressionism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1830-1960 Realism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition In art history, realism (from Latin realis 'concerning the thing'; res: "thing, thing") refers to a new conception of art that began in Europe in the mid-19th century and turned against representations of classicism and romanticism. The appropriation of reality by the artist and its subsequent transformation into a work of art as well as its political connotation are characteristic of realism. It propagates everydayness and objectivity. Its best-known representative was the French painter Gustave Courbet (1819-1877), who appropriated the concept of realist art, which was still very vague and imprecisely defined at the time, and used it for his art because of its provocative effect. The content of his works had a formative effect on the term realism. Courbet's main concern was to create living art by drawing on his knowledge of (artistic) tradition and his own individuality. Discover Limited Edition Explore This Era DE EN 1830-1960 Realism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1905-1913 Bridge DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Die Brücke (The Bridge) was a group of German expressionist artists formed in Dresden in 1905. Founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism. The group came to an end around 1913. The "Die Brücke Museum" in Berlin was named after the group. Die Brücke is sometimes compared to the roughly contemporary French group of the Fauves. Both movements shared interests in primitivist art and in the expressing of extreme emotion through high-keyed colors that were very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to complete abstraction. The Die Brücke artists' emotionally agitated paintings of city streets and sexually charged events transpiring in country settings made their French counterparts, the Fauves, seem tame by comparison. Discover Limited Edition Explore This Era DE EN 1905-1913 Bridge Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1946-1952 Fronte Nuovo delle Arti DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Fronte Nuovo delle Arti was an Italian artists' group. The group was founded in 1946 by the artists Bruno Cassinari, Renato Birolli, Renato Guttuso, Leoncillo Leonardi, Ennio Morlotti, Armando Pizzinato, Giuseppe Santomaso, Emilio Vedova, Alberto Viani and existed until 1952. These artists had jointly signed the Manifesto di fondazione della Nuova Secessione Artistica Italiana (For a "New Secession in Italy") on the initiative of Renato Birolli in Venice in 1946, thus founding the artists' movement Nuova Secessione Artistica Italiana as a precursor to the Fronte Nuovo delle Arti. The name Fronte Nuovo delle Arti (Italian for: "New Front of the Arts") was first used on the occasion of an exhibition of the participating artists in the "Galerie della Spiga" ("Gallery of the Ear") in Milan. The signatories and members of the Nuova Secessione Artistica Italiana were joined by the artists Antonio Corpora, Pericle Fazzini, Nino Franchina and Giulio Turcato to form the Fronte Nuovo delle Arti in Milan. The hallmark of the artists involved was Abstract Painting, which was also influenced by Orphism. The work of Pablo Picasso also had a major influence on painting, especially his prismatic structuring of pictorial elements. Renato Guttuso, Emilio Vedova and Alberto Viani were considered the main representatives of Fronte Nuovo delle Arti. In 1948, representatives of the group presented their works at the Venice Biennale. In 1952, the abstract artists left the group and, on the initiative of the art historian and art critic Lionello Venturi (1885-1961), founded the artist group Gruppo degli Otto. Renato Guttoso and Armando Pizzinato henceforth turned to expressive realism in their art. Discover Limited Edition Explore This Era DE EN 1946-1952 Fronte Nuovo delle Arti Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1940-2013 Art Informel - Informalism DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Art Informel - Informalism (French art informel) or Informel for short is a collective term for the styles of abstract (in the sense of non-geometric, non-objective) art in post-war Europe, which has its origins in Paris in the 1940s and 1950s. Informel formed in Paris as an antithesis to geometric abstraction, which was also represented by the École de Paris. The artists Wols, Jean Fautrier and Hans Hartung, who was influenced by Wassily Kandinsky and Paul Klee, are regarded as direct pioneers of Informel. Willi Baumeister, Ernst Wilhelm Nay, Theodor Werner and Fritz Winter are also named as important instigators of German Informel. Carl Buchheister was not only an instigator but also one of the early representatives. Claude Monet with his water lily paintings is regarded as a more indirect ancestor and source of inspiration. Discover Limited Edition Explore This Era DE EN 1940-2013 Art Informel - Informalism Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1770-1830 Classicism / Classicist Painting DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Classicist painting refers to a style of art inspired by Greco-Roman antiquity and the Italian Renaissance. Compared to other preceding, simultaneous or subsequent art movements, such as Baroque, Rococo, Romanticism or Impressionism, the ideal of Classicism consists in uniformity and harmony, also in a certain rational sobriety, objectivity and austerity. As an epochal term, Classicism is generally understood in German to mean painting between about 1750 or 1760 and about 1820. However, the term "classicism" is not completely unambiguous, since there were always classicist currents, especially in painting, from the 16th century onwards, which either existed simultaneously as a counter-current to other aesthetic ideals - such as Baroque or Tenebrism in particular - or were also temporarily in the foreground. Examples of this in the 17th century are the classicist Baroque of the so-called Bolognese School - whose influence reached Rome early on - with protagonists such as Guido Reni, Domenichino, Albani, Poussin or Carlo Maratta. Influenced by painters such as Poussin or the landscape painter Claude Lorrain, this classicist Baroque reached France before 1650, where it was elevated to the status of an ideal under Louis XIV (see → classicisme), not least as a counter-image to the highly animated, exuberant and emotional Baroque of Italian or Flemish influence (Rubens). For this reason, the epoch from about 1760 to 1820, especially in France (and also in other countries), is not called classicisme, but néo-classicisme, because of the classical art of the 17th century. Representatives of actual classicism in France are Joseph-Marie Vien, Jacques-Louis David, Pierre-Henri de Valenciennes, François Gérard, Antoine-Jean Gros and Jean-Auguste-Dominique Ingres; in Germany Anton Raphael Mengs, Angelika Kauffmann, Jakob Asmus Carstens, Johann Heinrich Wilhelm Tischbein and Gottlieb Schick; in Italy, Pompeo Batoni, Giuseppe Velasco, Andrea Appiani, Gaspare Landi, Felice Giani, Vincenzo Camuccini and Luigi Sabatelli; in Spain, Francisco Bayeu and Francisco de Goya (in his early work). Discover Limited Edition Explore This Era DE EN 1770-1830 Classicism / Classicist Painting Propose a work associated with this style Propose a work associated with this style

Propose a work associated with this style Propose a work associated with this style 1950-today Action Art DE EN Welcome to Our Community! Dive into what makes us truly unique. Here, we provide a glimpse into our vibrant ecosystem, highlighting the special qualities that distinguish us. Whether it's our dedication to nurturing creativity, building connections, or showcasing extraordinary talents – we celebrate what you bring to the table. Enhance your experience with us by adding visual elements to your profile, making it even more engaging. Join us to create a space where inspiration thrives and connections grow deeper. Join the Elite Circle The Most Valuable & Expensive Works of Art in The World Be one of the owners of this limited edition and buy one of the 3333 hand signed books! Discover Limited Edition Action art is an umbrella term for a number of 20th century art movements that transcended the classical forms of fine art (sculpture, painting) and expanded them to include other media and performative forms of expression. In doing so, they placed themselves in opposition to the concept of art and the art business, which is often perceived as too conventional and narrow. In Vienna, action art found its expression in the 1960s in Viennese Actionism. Action art is a precursor of artistic performance and cannot always be clearly distinguished from it. In action art, both classical working methods of the fine arts such as painting and sculpture are used, as well as newer media such as photography, film and video. With action art, a turn towards more and more processual forms of artistic practice is taking place. The Fluxus movement (lat. flux/fluere = flowing, transient) of the 1960s, which saw itself as a flowing transition between art and life, is considered part of action art. In action art, it is not uncommon for the artist himself to be a component of the work and his body to be the artistic medium (e.g. Wolfgang Flatz). While the separation of subject and object is a prerequisite for a classical understanding of art, in that the artist creates an artefact that is detachable from him or her, action art is about actions in which the artists are directly involved. Extreme, e.g. self-harming, actions immediately trigger affective and emotional reactions in the spectator (e.g. Marina Abramović, Zhang Huan, Lilly McElroy). Discover Limited Edition Explore This Era DE EN 1950-today Action Art Propose a work associated with this style Propose a work associated with this style